Mini (Mark I)

The Mark I Mini (1959–1967) was the first version of British Motor Corporation's Mini. It is characterised by its sliding windows, external door hinges and "moustache" grille. In the United Kingdom the Mark I was produced between 1959 and 1967, with production in Australia continuing until 1970.

Design

Designed as project ADO15 (Austin Drawing Office 15), the first models were marketed with the names Austin Seven (often written as SE7EN) and Morris Mini-Minor in England. Until 1962, they appeared as the Austin 850 and Morris 850 in some export markets. The production model differed from the original prototype (affectionately named "The Orange Box" because of its colour) due to the addition of a modified front subframe, on which the engine was mounted, and by the engine being mounted with the carburettor at the back, rather than at the front, as in the prototype, to reduce wear on the gearbox.

The proposed engine size was originally 948 cc as used in the Morris Minor and Austin A35. However, Leonard Lord, chairman of BMC thought that the 90 mph (140 km/h) top speed was excessive and thus reduced the engine size to 848 cc to gain a more manageable speed (for the time) of 72 mph (116 km/h). Issigonis' suspension featured the use of rubber cones as springs: the spring rate of rubber changes with compression, allowing the suspension to adapt to passenger load variations (a full passenger load could actually double the tiny vehicle's gross weight). A conventional suspension would have required an increase in height to the design. This unique design was adapted from Issigonis's home-built racer and built for the Mini by Alex Moulton.

Mini 12

Mini 12 may refer to:

Mini35

A P+S Technik Mini35 adapter is a depth-of-field adapter for use with 35 mm lenses on a video camera while maintaining identical depth of field and angle of view as the same lens on a 35 mm camera.

The original concept of the adapter was achieved by a German cinematographer. It is manufactured and distributed by the German camera manufacturer P+S Technik.

The first film completed within the United States to solely utilize the Mini35 adapter is The Provoker, written and directed by Phillip Cappe, completed and screened in March 2002.

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Gravity

Gravity or gravitation is a natural phenomenon by which all things with energy are brought toward (or gravitate toward) one another, including stars, planets, galaxies and even light and sub-atomic particles. Gravity is responsible for many of the structures in the Universe, by creating spheres of hydrogen — where hydrogen fuses under pressure to form stars — and grouping them into galaxies. On Earth, gravity gives weight to physical objects and causes the tides. Gravity has an infinite range, although its effects become increasingly weaker on farther objects.

Gravity is most accurately described by the general theory of relativity (proposed by Albert Einstein in 1915) which describes gravity not as a force but as a consequence of the curvature of spacetime caused by the uneven distribution of mass/energy; and resulting in gravitational time dilation, where time lapses more slowly in lower (stronger) gravitational potential. However, for most applications, gravity is well approximated by Newton's law of universal gravitation, which postulates that gravity is a force where two bodies of mass are directly drawn (or 'attracted') to each other according to a mathematical relationship, where the attractive force is proportional to the product of their masses and inversely proportional to the square of the distance between them. This is considered to occur over an infinite range, such that all bodies (with mass) in the universe are drawn to each other no matter how far they are apart.

Gravity (Our Lady Peace album)

Gravity is the fifth studio album by the Canadian rock band Our Lady Peace. It was released on June 18, 2002 by Columbia Records in North America. The album became a worldwide success, charting highly both in Canada and the United States with the hit singles "Somewhere Out There" and "Innocent".

The album title, Gravity, was inspired by the chorus lyrics "Falling back to me, defying gravity" from the track "Somewhere Out There". At the time of the album's release, OLP drummer Jeremy Taggart said that Gravity was "by far [their] best album".

Gravity was the first album to feature new guitarist, Steve Mazur, who replaced Mike Turner in 2002 after the latter's departure, which the band was feeling limited by Mike Turner guitar abilities in the studio. The band also wanted a guitarist who can really stand up and have a strong voice. Despite of Mike Turner departure, Turner appears on half the tracks on the album, however, having recorded parts for several songs on the album prior to his departure. This was also their last album with musician Jamie Edwards, who had performed on two prior albums and was briefly an official member, but left the band soon after the album's completion.

Gravity (James Brown album)

Gravity is the 56th studio album by American musician James Brown. The album was released on September 15, 1986, by Scotti Bros. Records. It was largely written and produced by Dan Hartman and Charlie Midnight, the authors of the album's previously released hit single "Living in America", which had reached #4 on the Billboard Hot 100 and was prominently featured in the film Rocky IV. It was Brown's first album for the Scotti Brothers record label.

The album's title track became a minor hit on both the pop and R&B charts, while the tango-based slow jam "How Do You Stop" cracked the R&B top ten. The album track "Turn Me Loose, I'm Dr Feelgood" was used as the theme song for the Australian TV sketch comedy series The Late Show (1992–93) and is often played by Major League Baseball's Philadelphia Phillies when one of their batters hits a home run at Citizens Bank Park.

Reception

Gravity earned a lukewarm reception from critics. Robert Christgau went so far as to describe it as "[n]ot a James Brown album--a James Brown-influenced Dan Hartman record, with James Brown on vocals", and urged readers to seek out recent reissues of Brown's earlier work instead. Ron Wynn of Allmusic.com described the album as "moderately interesting" but that, ultimately, Brown was trying to "catch up" with contemporary trends.