Gothic is a 1986 British horror film directed by Ken Russell, starring Gabriel Byrne as Lord Byron, Julian Sands as Percy Bysshe Shelley, Natasha Richardson as Mary Shelley, Myriam Cyr as Claire Clairmont (Mary Shelley's stepsister) and Timothy Spall as Dr. John William Polidori. It features a soundtrack by Thomas Dolby, and marks Richardson's film debut.
The film is a fictionalized retelling of the Shelleys' visit to Lord Byron in Villa Diodati by Lake Geneva, shot in Gaddesden Place. It concerns their competition to write a horror story, which ultimately led to Mary Shelley writing Frankenstein and John Polidori writing The Vampyre. The same event has also been portrayed in the films Bride of Frankenstein (1935) and Haunted Summer (1988), among others.
The film's poster motif is based on Henry Fuseli's painting The Nightmare, which is also referenced in the film.
Through her stepsister Claire Clairmont (Miriam Cyr), Mary Godwin (Natasha Richardson) and her future husband Percy Shelley (Julian Sands) came to know Lord Byron (Gabriel Byrne). During the summer of 1816, Lord Byron invited them to stay for a while at Villa Diodati in Switzerland. There they met Byron's physician friend, Dr. John Polidori (Timothy Spall). On June 16th, while a storm raged outside, the five of them amused themselves by telling ghost stories and revealing private skeletons. From Mary's previous experience of miscarriage came the desire to raise her child from the dead, which led to the creation of the Frankenstein monster. From Polidori's homosexuality, suicidal thoughts, and fascination with vampires came the story "The Vampyre".
The Gothic alphabet is an alphabet for writing the Gothic language, created in the 4th century by Ulfilas (or Wulfila) for the purpose of translating the Bible.
The alphabet is essentially an uncial form of the Greek alphabet, with a few additional letters to account for Gothic phonology: Latin F, two Runic letters to distinguish the /j/ and /w/ glides from vocalic /i/ and /u/, and the letter ƕair to express the Gothic labiovelar. It is completely different from the 'Gothic script' of the Middle Ages, a script used to write the Latin alphabet.
Ulfilas is thought to have consciously chosen to avoid the use of the older Runic alphabet for this purpose, as it was heavily connected with heathen beliefs and customs. Also, the Greek-based script probably helped to integrate the Gothic nation into the dominant Greco-Roman culture around the Black Sea. The individual letters, however, still bear names derived from those of their Runic equivalents.
In past centuries, some authors asserted that Greek-like letters were already in use among Germanic tribes long before Ulfilas. Johannes Aventinus (c. 1525) even ascribed them to the mythical progenitor Tuisto, claiming the Greeks had really stolen the idea from them, and not the Phoenicians. Such theories enjoy no scholarly support today, as all available evidence traces the development of alphabetic writing to the Middle East, although there is some testimony by classical Roman sources, as well as a few assorted tombstones, indicating that Greek letters were sometimes used in Germany, in addition to Gaul, by the time of Julius Caesar (1st century BC).
Gothic is the second full-length album released by British heavy metal band Paradise Lost.
This album has been re-released twice, both of which contain remastered sound. The 2003 re-release of this album appended two remixes of songs from Lost Paradise, bringing the total running time to 49 minutes and 30 seconds. Remixed/live versions of "Eternal", "Gothic" and "The Painless", appear on the 2003 digipak re-release of Lost Paradise. In 2008, Gothic was re-released with a bonus DVD with a rare performance by the band.
All songs written by Nick Holmes and Gregor Mackintosh.
Gothic is the 22nd concept album by Nox Arcana. The album opens with an introductory narration, describing terms of an inheritance of an old gothic mansion called Grimstone Manor. The story described in narrative form and in the liner notes contains elements of danger and romance like that of a 19th century Gothic novel. Musically, the album features Nox Arcana's brand of dark ambient music, with the use of pipe organ, violins, harpsichord, piano, choirs, and other instrumentation, representing a musical journey through the haunted mansion.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.