Feel It | ||||
---|---|---|---|---|
Studio album by Fat Larry's Band | ||||
Released | 1976 | |||
Recorded | 1976 at Sigma Sound Studios, Philadelphia, Pennsylvania | |||
Genre | Soul, Funk | |||
Label | WMOT Records | |||
Producer | Vincent Montana, Jr. | |||
Fat Larry's Band chronology | ||||
|
Feel It is the debut album by Philadelphia, Pennsylvania based Fat Larry's Band.
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Contents |
The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a chequered recording history, with work beginning in mid-1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner (1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members David Gilmour and Roger Waters (mid-1969 sessions). Among the guest musicians are Willie Wilson from (Gilmour's old band) Jokers Wild and Robert Wyatt of the band Soft Machine.
The Madcap Laughs, released in January 1970 on Harvest in the UK, and on Capitol Records in the US, enjoyed minimal commercial success on release, reaching number 40 on the UK's official albums chart, while failing to hit the US charts. It was re-released in 1974 as part of Syd Barrett (which contained The Madcap Laughs and Barrett). The album was remastered and reissued in 1993, along with Barrett's other albums, Barrett (1970) and Opel (1988), independently and as part of the Crazy Diamond box set. A newly remastered version was released in 2010.
Feel is first album released by a Polish pop rock band Feel. The album has earned Diamond certification in Poland.
"Feel" (stylized as feel) is a smooth R&B song by Japanese singer and songwriter Kumi Koda. For the song, she worked closely with composer Hitoshi Shimono, who had composed the instrumental. The single is Kumi's sixth single in her 12 Singles Collection and charted at #1 on Oricon with 39,110 copies sold within the first week. As with some of the other singles released in the collection, feel was limited to 50,000 copies.
The song also became Koda Kumi's second song to have a chorus completely in English (first being 24, which was also written and composed by Hitoshi Shimono).
The music video for the single tied into the four others in the storyline: Candy feat. Mr. Blistah, you, Lies and Someday/Boys♥Girls.
The love interest in the music video was played by Shugo Oshinari. Shugo Oshinari is best known for his portrayals of Teru Mikami in the Death Note TV series and Takuma Aoi in Battle Royale II: Requiem.
As with the other 11 singles in this collection, this single cover represents a stylized version of a traditional dress from a culture; this time it draws its inspiration from Spain and the costume of matadors.
Persuasion is an umbrella term of influence. Persuasion can attempt to influence a person's beliefs, attitudes, intentions, motivations, or behaviors. In business, persuasion is a process aimed at changing a person's (or a group's) attitude or behavior toward some event, idea, object, or other person(s), by using written or spoken words to convey information, feelings, or reasoning, or a combination thereof. Persuasion is also an often used tool in the pursuit of personal gain, such as election campaigning, giving a sales pitch, or in trial advocacy. Persuasion can also be interpreted as using one's personal or positional resources to change people's behaviors or attitudes. Systematic persuasion is the process through which attitudes or beliefs are leveraged by appeals to logic and reason. Heuristic persuasion on the other hand is the process through which attitudes or beliefs are leveraged by appeals to habit or emotion.
Persuasion began with the Greeks, who emphasized rhetoric and elocution as the highest standard for a successful politician. All trials were held in front of the Assembly, and both the prosecution and the defense rested, as they often do today, on the persuasiveness of the speaker. Rhetoric was the ability to find the available means of persuasion in any instance. The Greek philosopher Aristotle listed four reasons why one should learn the art of persuasion:
Persuasion was the planned fifth studio solo album by Adam Ant, planned for 1992-3 but never released. The album has however surfaced as bootlegs, and nowadays circulates on file sharing networks. This album is one of the 20 written about in The Greatest Music Never Sold by Dan Leroy, a book that revealed information on the lost recordings of many famous musicians.
The album featured a collaboration between the Ant/Marco Pirroni partnership and Bernard Edwards, longtime bass player with the disco group Chic. Edwards' Chic bandmate Tony Thompson played drums on most of the album, except for the title track plus "Headgear" and "Survival of the Fetish", which all featured drummer Dave Ruffy, who had previous worked with Pirroni under Sinéad O'Connor. Also featured on the album were Cameo guitarist Larry Blackmon (on the track "Little Devil") and former Adam and the Ants bassist Leigh Gorman.
Despite the US Top 20 success of the single "Room At The Top" from previous MCA album Manners & Physique, the label rejected the album and, dropped Ant as the album had failed to achieve gold status in the US.
Persuasion is a social influence.
Persuasion may also refer to:
After the party
You took me back to your parlour.
A little nervous laughter
Locking the door.
My stockings fall
Onto the floor.
Desperate for more.
Nobody else can share this.
Here comes one and one makes one,
The glorious union.
Well it could be love,
Or it could be just lust,
But it will be fun.
It will be wonderful.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, I need it. Oh, oh, feel it,
Feel it, my love.
Feel it!
See what you're doing to me?
God, but you're beautiful, aren't you?
Feel your warm hand walking around.
I won't pull away.
My passion always wins.
So keep on a-moving in.
So keep on a-tuning in.
Synchronise rhythm now.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, I need it. Oh, oh, feel it,
Feel it, my love.
Feel it!
See what you're doing to me?
See what you're doing to me?
Just see what you're doing to me.