Vast (novel)

Vast is a science fiction novel by Linda Nagata, part of her loosely connected "Nanotech Succession" sequence.

Background

The main characters of Vast are the crew and passengers of the Null Boundary, who are fleeing from the alien Chenzeme. The Chenzeme, using the "cult virus" and other, more conventional, weapons have destroyed much of human-occupied space, leaving the inhabitants of the Null Boundary to attempt to discover why.

While Vast is a standalone novel, there are links to The Bohr Maker, Tech-Heaven and Deception Well, primarily in the form of two shared technological innovations: advanced nanotechnology and "ghosts", a name given to electronically preserved human memories and personalities.

Literary significance and reception

The SF Site gave the novel a positive review, commenting on the balance between the relatively straightforward plotline and the complex character interaction.

John Clute, in The Encyclopedia of Science Fiction, described the "Deception Well" sub-sequence (comprising Deception Well and Vast) as "an immensely complex tale," drawing comparisons with the work of Olaf Stapledon and Larry Niven.

Goodbye

Goodbye is a parting phrase. It is a contraction of God be with ye (14 century English), It may also refer to:

Film

  • Goodbye (1918 film), a British drama
  • Goodbye (1995 film) (Tot Ziens!), a Dutch film
  • Goodbye (2004 film), a German short film nominated for a Prix UIP
  • Goodbye (2008 film), a Japanese digital film screened at the 2008 Cairo International Film Festival
  • Goodbye (2011 film), an Iranian film by Mohammad Rasoulof
  • Music

    Albums

  • Goodbye (Ben & Jason album), 2003
  • Goodbye (Bobo Stenson album), 2005
  • Good Bye (Cali Gari album), 2003
  • Goodbye (Cream album), 1969
  • Goodbye (Dubstar album), 1997
  • Goodbye (Gene Ammons album), 1974
  • Goodbye (Milt Jackson album), 1973
  • Goodbye (Ulrich Schnauss album), 2007
  • Goodbye (EP), an EP by Seventh Avenue, 1999
  • Goodbye, an EP by Opiate for the Masses, 2002
  • Songs

  • "Goodbye" (Alexia song), 1999
  • "Goodbye" (Alma Čardžić song), 1997
  • "Goodbye" (The Coral song), 2002
  • "Goodbye" (The Corrs song), 2004
  • "Goodbye" (Def Leppard song), 1999
  • "Goodbye" (Feder song), 2015, featuring Lyse
  • Goodbye (2011 film)

    Goodbye (Persian: به امید دیدار, translit. Be omid e didār) is a 2011 Iranian film. It offers an incisive portrait of an Iranian citizen straining under curtailed personal freedoms.

    Cast

  • Leyla Zareh
  • Hasan Pourshirazi
  • Behname Tashakor
  • Fereshteh Sadreorafai
  • Shahab Hosseini.
  • Plot

    Noura (Leyla Zareh) is an attorney whose license has been revoked by the government, as her resultant attempts at escape meet with ever-mounting roadblocks. Evoking a sense of dread and despair, Rasoulof (himself officially constrained from making more films) constructs a fitting metaphor for the stultifying pressures faced by many in today’s Iran.

    Awards

    Winner of best director honors in the Un Certain Regard section of the 2011 Cannes Film Festival.

    References

    External links

  • Goodbye at the Internet Movie Database
  • Good-Bye (Sakanaction song)

    "Good-Bye" (Japanese: グッドバイ Hepburn: Guddobai) is a song by Japanese band Sakanaction. It was released as a single in January 2014, as a double A-side single with the song "Eureka". A rock ballad primarily based around non-electronic instruments, the song was composed by the band's vocalist Ichiro Yamaguchi about his mental state while physically unwell and mentally frustrated, after being unable to finish writing the song "Sayonara wa Emotion". In January 2014, a remix of the song was used in the NHK documentary program Next World: Watashi-tachi no Mirai, later to be included on the band's compilation album Natsukashii Tsuki wa Atarashii Tsuki: Coupling & Remix Works (2015).

    The physical single debuted at number two on Oricon's weekly singles chart, while "Good-Bye" outperformed "Eureka" on the Billboard Japan Hot 100, also reaching number two. Critics received the song well, praising the song for its simple band sound that developed with the additional of guitar feedback, and believed that the song was an expression of a musician reaffirming their identity and their desire to continue into uncharted musical territory.

    Podcasts:

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