Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post-bop players.
A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. He preferred to set the vibraphone's oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton's speed of 10 revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally.
Jackson was born on January 1, 1923 in Detroit, Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, impromptu soul music" (quoted in Nat Hentoff's liner notes to Plenty, Plenty Soul). He started on guitar when he was seven, then on piano at 11. While attending Miller High School, he played drums in addition to timpani and violin and also sang in the choir. At 16, he sang professionally in a local touring gospel quartet called the Evangelist Singers. Jackson also took up the vibraphone at 16 after hearing Lionel Hampton play the instrument in Benny Goodman's band. Jackson was discovered by Dizzy Gillespie, who hired him for his sextet in 1945, then his larger ensembles. Jackson quickly acquired experience working with the most important figures in jazz of the era, including Woody Herman, Howard McGhee, Thelonious Monk, and Charlie Parker.
"Good Morning Heartache" (Decca Records) is a song written by Irene Higginbotham, Ervin Drake, and Dan Fisher. Originally recorded by jazz singer Billie Holiday on January 22, 1946.
Bill Stegmeyer and his Orchestra (Decca Session #54) New York, January 22, 1946: with Gordon "Chris" Griffin (trumpet), Joe Guy (trumpet) Bill Stegmeyer (alto saxophone), Hank Ross (tenor saxophone), Bernie Kaufman (tenor saxophone), Armand Camgros (tenor saxophone), Joe Springer (piano), Tiny Grimes (guitar), John Simmons (bass), Sidney Catlett (drums), Billie Holiday (vocal) + 4 strings.
Good morning heartache, sit down
Good morning heartache, you old gloomy sight
Thought we said goodbye last night
I turned and tossed until it seemed you had gone
But here you are with the dawn
Wish I'd forget you, but you're here to stay
It seems I met you, when my love went away
Now everyday I start by saying to you
'Good morning heartache, what's new?'
Stop haunting me now
Can't shake you no how
Just leave me alone
I've got those Monday blues
Straight through Sunday blues
Good morning heartache, here we go again
Good morning heartache
You're the one who knew me when
Might as well get used to you hangin' around
Good morning heartache, sit down
Stop haunting me now
Can't shake you no how
Just leave me alone
I've got those Monday blues
Straight through Sunday blues
Good morning heartache, here we go again
Good morning heartache
You're the one who knew me when
Might as well get used to you hangin' around