Good Enough may refer to:
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Transitions is the third album of Boston-based Ska band Westbound Train. It is their first release for Hellcat Records.
Bobby is the third studio album by American R&B singer Bobby Brown, released in 1992 by MCA Records.
The album continued the R&B/new-jack sound of its successful predecessor, Don't Be Cruel. Babyface, L.A. Reid, and Daryl Simmons returned as songwriters and producers, however Brown also worked with new producers, most notably Teddy Riley, who was considered a pioneer of the new jack swing genre. Riley wrote and produced the majority of the album. Brown also had more creative input and control of the album, becoming an executive producer and co-writing seven of the album's thirteen tracks.
Bobby peaked at #2 on the US Billboard 200 album chart, and spawned two Top 10 Billboard Hot 100 singles: "Humpin' Around" (#3) and "Good Enough" (#7). The album also peaked at #1 on the Billboard R&B Albums chart and reached #2 in Australia.
The album included Brown's first duet with wife Whitney Houston on "Something in Common", which was also released as a single.
Bobby generally received mixed reviews from music critics. Brown received his second Grammy nomination for Best Male R&B Vocal Performance at the 35th Annual Grammy Awards for "Humpin' Around".
Not to be confused with Earth, Wind, and Fire. Earth and Fire are also the owners of Erowid.
Earth and Fire were a Progressive and Symphonic Rock band who over time evolved into a Pop group. Formed in the Netherlands by twin brothers Chris and Gerard Koerts, and most popular in the 1970s when fronted by singer Jerney Kaagman, Earth and Fire had many chart topping hits in the Netherlands and elsewhere in Europe, though they never gained much popularity in England or the Americas. Their biggest international hit was "Weekend", number one in the Netherlands, Switzerland, Germany, Denmark and Portugal.
Earth and Fire originated with the brothers Chris and Gerard Koerts from Voorschoten. As "The Singing Twins" they made music for family and friends since 1960, achieving a breakthrough of sorts at a talent show in 1962, at which future bass player Hans Ziech was present--Ziech, at the time, was already interested in rock and roll and thought The Singing Twins a bit on the mild side, Jan & Kjeld-like. In 1963, influenced by beat music, they joined a local beat band, playing mostly instrumental music until early 1965; the Koerts brothers were remembered as musical perfectionists even at an early age. They changed their name to The Swinging Strings in 1965 and began singing, covering hits by the Beatles, the Byrds, and others. They played regularly and saved enough money to buy equipment and add three dancers, girls in Audrey Hepburn-like outfits. While they played all over the provinces of North and South Holland, they rarely performed in their own area--The Hague had its own scene of beat bands. By the end of 1966, however, they had won a few talent shows near their home town, had a fan club with over 250 members, and had drawn the attention of radio DJ Willem van Kooten.
Here I go
Let the sea ease my mind
Here I am
Just to see what I can find
Here the seagulls fly
On past the crimson ball
Their wings flash red
At the deep blue purple sky
It was a beatiful day
It was a beatiful day
While the wheels of time
Grind my mind away
Tell me, tell me
What's your name
Hear the symphony
That echoes in my brain
While birds and flies
Play a happy game
Here I go
To the surface of the earth
Here I am
I'm going back to work
It was a beatifull day
It was a beatiful day
While the wheels of time
Grind my mind away
Tell me, tell me