HIDDEN ERROR: Usage of "management" is not recognized
Eric B. & Rakim were a hip hop duo from Long Island, New York, composed of Eric B. (born Eric Barrier, November 8, 1965) and MC Rakim (born William Michael Griffin Jr., January 28, 1968).
AllMusic wrote that "during rap's so-called golden age in the late '80s, Eric B. & Rakim were almost universally recognized as the premier DJ/MC team in all of hip-hop."Tom Terrell of NPR called them "the most influential DJ/MC combo in contemporary pop music period," while the editors of About.com ranked them as No. 3 on their list of the 10 Greatest Hip-Hop Duos of All-Time. They were nominated for induction into the Rock and Roll Hall of Fame in 2011, although they did not make the final selection.
Eric Barrier was born and raised in the Elmhurst section of Queens, New York. He played trumpet and drums throughout high school, and later switched to experimenting with turntables prior to graduation. The newly dubbed "Eric B." soon began DJing for radio station WBLS in New York City, including WBLS' promotional events around the city. Barrier wound up meeting Alvin Toney, a promoter based in Queens. Eric B. had been looking for rappers and Toney recommended he use Freddie Foxxx, a Long Island MC. Toney took Eric B. to Foxxx's home, but Foxxx was not there, so Toney suggested another option: William Griffin, a.k.a. Rakim.
Goodbye is a parting phrase. It is a contraction of God be with ye (14 century English), It may also refer to:
"Good-bye" is the twentieth episode of the third season of The Wonder Years and the forty-third episode overall. "Good-bye" aired on April 24, 1990 on the ABC network. The episode revolves around the relationship between Kevin Arnold and his math teacher, Mr. Collins. Mr. Collins pushes Kevin to succeed in math. Kevin becomes antagonistic towards his teacher when he feels Collins is ignoring him, only to become regretful when tragedy befalls Mr. Collins.
The episode was well received by the critical community at the time. It has been retrospectively considered a classic episode of the series. Bob Brush won the Primetime Emmy Award for Outstanding Writing for a Comedy Series for his work on scripting this episode.
Kevin Arnold (Fred Savage) is averaging a "respectable" C in Mr. Collins' math class. Despite his best efforts, Kevin can only muster average 'C' grades. Kevin is mostly content with this, particularly after he does pull off a 'B' on a recent test, reasoning to himself that he is trying his best. However, Kevin becomes curious when he sees that Paul received a note from Mr. Collins on his math paper. Kevin stops to talk with Mr. Collins regarding his progress in the class, expecting Collins to be impressed with his grades. When Mr. Collins doesn't reciprocate Kevin's enthusiasm for his grades, Kevin begins to wonder why. Kevin stops Mr. Collins in the courtyard and the teacher explains that he does not believe Kevin is achieving his potential in the class, and could achieve an 'A' on his upcoming midterm, if he really tried. Mr. Collins begins to personally tutor Kevin, and the two develop a unique bond in the class.
"Good-Bye" (Japanese: グッドバイ, Hepburn: Guddobai) is a song by Japanese band Sakanaction. It was released as a single in January 2014, as a double A-side single with the song "Eureka". A rock ballad primarily based around non-electronic instruments, the song was composed by the band's vocalist Ichiro Yamaguchi about his mental state while physically unwell and mentally frustrated, after being unable to finish writing the song "Sayonara wa Emotion". In January 2014, a remix of the song was used in the NHK documentary program Next World: Watashi-tachi no Mirai, later to be included on the band's compilation album Natsukashii Tsuki wa Atarashii Tsuki: Coupling & Remix Works (2015).
The physical single debuted at number two on Oricon's weekly singles chart, while "Good-Bye" outperformed "Eureka" on the Billboard Japan Hot 100, also reaching number two. Critics received the song well, praising the song for its simple band sound that developed with the additional of guitar feedback, and believed that the song was an expression of a musician reaffirming their identity and their desire to continue into uncharted musical territory.