Goo is any viscous, sticky substance. Goo or GOO may also refer to:
Gumby is an American clay animation franchise, centered on a green clay humanoid character created and modeled by Art Clokey. The character has been the subject of two television series as well as a feature-length film and other media. Since the original series' run, he has become well known as an example of stop motion clay animation and an influential cultural icon, spawning many tributes, parodies, and merchandising.
Gumby follows the titular character and his adventures through different environments and times in history. Gumby's principal sidekick is Pokey, a talking orange pony. His nemeses are the Blockheads, a pair of humanoid, red-colored figures with cube-shaped heads, who wreak mischief and havoc. The Blockheads were inspired by The Katzenjammer Kids, who were always getting into scrapes and causing discomfort to others. Other characters are Prickle, a yellow dinosaur who sometimes styles himself as a detective with pipe and deerstalker hat like Sherlock Holmes, and Goo, a flying blue mermaid who spits blue goo balls and can change shape at will. Also featured are Gumby's dog Nopey, whose entire vocabulary is the word "nope," and Gumby's parents, Gumbo and Gumba. The later syndicated series in 1987 added Gumby's sister Minga and mastodon friend Denali.
Goo is the sixth studio album by American alternative rock band Sonic Youth. It was released on June 26, 1990 by record label DGC. The album was Sonic Youth's debut release on a major record label, after the band signed to Geffen Records following the release of Daydream Nation (1988).
Goo was recorded over a short period in early 1990 at Sorcerer Sound Recording Studios and Greene St. Recording with Daydream Nation producer Nick Sansano and additional producer Ron Saint Germain. The album's sound diverged considerably from their earlier material and is often considered "their most accessible album", with elements of experimental rock,garage punk, alternative rock and hard rock.
Lead single "Kool Thing" charted in the United States, United Kingdom and Ireland. Two other singles—"Disappearer" and "Dirty Boots"—were also released from the album, although neither were as successful as "Kool Thing".
Upon its release, Goo was a moderate commercial/marketing success, peaking at No. 96 on the Billboard 200 in the United States and charting in the Netherlands, New Zealand and the UK. Critical reception to the album was positive. To support its release, Sonic Youth toured Europe and North America twice in 1990. Following the mainstream breakthrough of alternative rock and grunge, the band toured Europe again in fall 1991 with Nirvana, Dinosaur Jr., Babes in Toyland and Gumball. The latter tour was chronicled on the documentary 1991: The Year Punk Broke, directed by Dave Markey.
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Richard "Richie" Hawtin (born June 4, 1970) is an English-born Canadian electronic musician and DJ and three times DJ Awards winner. He was an influential part of Detroit techno's second wave of artists in the early 1990s and has been a leading exponent of minimal techno since the mid-1990s. He is best known for his work under the alias Plastikman and for his ENTER. events in Ibiza and around the world.
Hawtin is known for DJing techno sets making use of laptop computers and digital mixing equipment. In May 1990 Hawtin and fellow second-waver John Acquaviva founded the Plus 8 record label, which they named after their turntable's pitch adjust function. In 1998, Hawtin launched M_nus Records. In summer 2012 Hawtin first presented ENTER., his experimental event at Space in Ibiza.
Hawtin was born in Banbury, Oxfordshire, England, but at the age of nine moved to LaSalle, Ontario, a suburb of Windsor, Ontario, across the river from Detroit, the birthplace of techno. His father worked as a robotics technician at General Motors and was a fan of electronic music, introducing his son to Kraftwerk and Tangerine Dream at an early age. He has one brother, Matthew, who is a visual artist and ambient music DJ. Hawtin attended Sandwich Secondary High School in LaSalle. He began to DJ in clubs in Detroit at 17, and his early style was a mix of house music and techno.