The first Sabre was a former knife thrower named Paul Richarde until he was selected by Modred to oppose Black Knight. Paul Richarde was given an armor, an animated gargoyle. and Mordred's Ebony Dagger (the weapon with which Mordred had killed the first Black Knight). He was defeated by Black Knight after his horse Aragorn kicked the dagger from Le Sabre's hand.
The second Sabre is a mutant super villain. His first appearance was in X-Men #106. Young and reckless, Sabre was chosen by Mystique to join her new Brotherhood of Mutants, though never actually participated in any missions. He had the mutant ability of super speed, and took the name of the deceased Super Sabre. It is unknown if he continues to serve Mystique behind the scenes, or if he even retains his powers after Decimation. Hyper-accelerated metabolism augments his natural speed, reflexes, coordination, endurance, and the healing properties of his body.
David James Andrew Taylor, better known his stage name Switch, is a British DJ, songwriter, sound engineer, and record producer. He is best known for his work with M.I.A.. In the fidget house genre, Switch runs his own music label "Dubsided", as well as the label Counterfeet, established in 2006 with fellow producer Sinden. He has released various singles under his own name, and is also well known for remixing and producing for many major artists. He is a former member of the American electronic dancehall group Major Lazer.
Most notably Switch has worked extensively with fellow British artist M.I.A. co-producing tracks on her albums Arular and Kala. For the latter, he travelled to work with M.I.A. in A. R. Rahman's Panchathan Record Inn and AM Studios and other locations such as Kodambakkam, Chennai and Trinidad and Tobago. He says "When you go somewhere like India, and especially Jamaica, it puts you in a different train of thought, outside of your usual working conditions. They use music as their voice; they use it for politics, for religion. So, I think for people that are struggling, they can use it to vent frustrations, or to celebrate.”
NCIS and its characters were originally introduced in a two-part episode of the CBS television series JAG in April 2003. The show premiered on September 23, 2003, in the United States.
Created by Donald P. Bellisario and Don McGill, and executive produced by Bellisario, Shane Brennan and Gary Glasberg, NCIS follows Supervisory Special Agent Leroy Jethro Gibbs (Mark Harmon) and his Major Case Response Unit based out of the Washington, D.C. Navy Yard. Gibbs is joined by Senior Field Agent Anthony DiNozzo (Michael Weatherly), a seasoned investigator, former Presidential protector Kate Todd (Sasha Alexander, seasons 1–2), M.I.T. graduate Timothy McGee (Sean Murray), former N.S.A. analyst and disaster protocol whiz Ellie Bishop (Emily Wickersham, seasons 11–), Mossad liaison Ziva David (Cote de Pablo, seasons 3–11), and NCIS' Directors Leon Vance (Rocky Carroll, season 5–), and Jenny Shepard (Lauren Holly, seasons 3–5), along with Forensic Scientist Abby Sciuto (Pauley Perrette), Medical Examiner Dr. Donald "Ducky" Mallard (David McCallum), and his assistant Jimmy Palmer (Brian Dietzen).
The going-to future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression to be going to. It is an alternative to other ways of referring to the future in English, such as the future construction formed with will (or shall) – in some contexts the different constructions are interchangeable, while in others they carry somewhat different implications.
Constructions analogous to the English going-to future are found in some other languages, including French and Spanish.
The going-to future originated by the extension of the spatial sense of the verb go to a temporal sense (a common change, the same phenomenon can be seen in the preposition before). The original construction involved physical movement with an intention, such as "I am going [outside] to harvest the crop." The location later became unnecessary, and the expression was reinterpreted to represent a near future.
The colloquial form gonna and the other variations of it as mentioned in the following section result from a relaxed pronunciation of going to. They can provide a distinction between the spatial and temporal senses of the expression: "I'm gonna swim" clearly carries the temporal meaning of futurity, as opposed to the spatial meaning of "I'm going [in order] to swim".
"Gonna" is a song recorded by American country music artist Blake Shelton. It was released to radio on August 3, 2015 as the fourth single from his ninth studio album, Bringing Back the Sunshine. The song was written by Luke Laird and Craig Wiseman.
Co-writers Luke Laird and Craig Wiseman, who previously wrote Shelton's 2009 single "Hillbilly Bone", told Nash Country Weekly magazine that they did not have a song idea when they met during a songwriting session. Laird began beatboxing, providing Wiseman with a "structure" to which he began adding lyrics. Laird said that "We just wanted to write something that was fun for us to play", while praising Wiseman's "quirky lyrics". Thematically, the song is about a man professing his intent to start a relationship with a woman, basing the hook around the word "gonna". Nash Country Weekly described the song as a "mid-tempo with a slight reggae influence" plus "a faint vocal beatbox" and "a simple, memorable lead guitar riff that plays again before each verse".
I'm walking
(Stand still)
Not running
(Sit tight)
Soft talking
(I'm thrilled)
Not gunning
(Your light)
Not flying
(Lady)
I'm falling
(This way)
I'm not crying
(Maybe)
I'm calling
And I'm gonna to get ya anyway
I'm gonna get ya, yeah
(Gonna get ya, gonna get ya)
(Gonna get ya, gonna get ya)
(Gonna get ya, yeah)
I'm gonna get ya anyway, yeah
I'm cooking
(Hot Me)
Not raping
(Blue eyes)
Just looking
(You got me)
Not gaping
(No lies)
Not chasing
(Lady)
I'm trailing
(This way)
I'm not racing
(Crazy)
I'm wailing
And I'm gonna get you anyway
I'm gonna get ya, yeah, yeah
(Gonna get ya, gonna get ya)
(Gonna get ya, gonna get ya)
(Gonna get ya, yeah)
I'm gonna get ya anyway, yeah
I'm gonna get ya anyway
(By sheer persistence)
I'm gonna get ya anyway
(Break down your resistance)
I'm gonna get ya anyway
(Babe, I'm gonna woo ya)
I'm gonna get ya anyway
(Girl, I'm gonna do ya)
I'm gonna get ya anyway
Yeah, yeah, yeah
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
Girl, I'm gonna do ya
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
I'm gonna get ya anyway
Girl, I'm gonna do ya
I'm gonna get ya anyway
Athletic
(Boggey down)
Hustle
(Turn back)
Feel pathetic
(Sugar town)
No muscle
(Soul hack)
I'm jumping
(You move)
No dancer
(Beside me)
I'm thumping
(You prove)
Don't get no answer
But I'm gonna get ya anyway
I'm gonna get ya
(Gonna get ya)
Gonna get ya
(Gonna get ya)
Gonna get ya, gonna get ya
I'm gonna get ya anyway