Golden Dawn

Golden Dawn may refer to:

Organizations

Music

Golden Dawn (political party)

The Popular Association – Golden Dawn (Greek: Λαϊκός Σύνδεσμος – Χρυσή Αυγή, Laïkós Sýndesmos – Chrysí Avgí), usually known simply as Golden Dawn (Greek: Χρυσή Αυγή, Chrysí Avgí pronounced [xriˈsi avˈʝi]), is a far-rightpolitical party in Greece. It is led by Nikolaos Michaloliakos.

Scholars and media have described it as neo-Nazi and fascist, though the group rejects these labels. Members have expressed admiration of the former Greek dictator Ioannis Metaxas of the 4th of August Regime (1936–1941). They have also made use of Nazi symbolism, and have praised figures of Nazi Germany in the past. According to academic sources, the group is racist and xenophobic, while the party's leader has openly identified it as nationalist and racist.

Michaloliakos began the foundations of what would become Golden Dawn in 1980, when he published the first issue of the right-wing, pro-military junta journal with that name. In this context Golden Dawn had its origins in the movement that worked towards a return to right-wing military dictatorship in Greece.

Riverhead (album)

Riverhead is the debut album of New Zealand band Goldenhorse, released in 2002. Three versions were released of this album; the original in 2002, a limited edition 2-CD version in 2003, and a new edition released in 2004. The 2004 version was released to celebrate a year on the album chart and achieving double platinum sales.

Riverhead reached #1 on New Zealand's RIANZ charts and has sold over 49,000 copies. The album went three times Platinum.

Track listing

2002 Release

2003 Limited Edition bonus CD

2004 Release

The Go

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The Go is an American rock & roll band from Detroit, Michigan. The Go is composed primarily of Robert "Bobby" Harlow (vocals), John Krautner (guitar, bass), Marc Fellis (drums), James McConnell (lead guitar), and a rotating cast of other band members, including Jack White (later of The White Stripes, The Dead Weather and The Raconteurs), who was with the band from mid '98 to early '99.

Overview

In 2003, the U.K. based Lizard King Records label released the group's second official full-length release, self-titled The Go. Two cuts from their second album, namely, "Blue Eyes Woman" and "Summer's Gonna Be My Girl" are featured on the soundtrack to the 2006 remake of Wes Craven's classic horror-thriller film The Hills Have Eyes. Additional tracks from their second album have been heard on the Emmy Award winning television sitcom My Name Is Earl.

Their third album, Howl On The Haunted Beat You Ride was released in the late-summer of 2007 by Ben Blackwell's Cass label to overwhelmingly positive initial reviews. The album's content marks a distinct contrast to their first two releases, adding a psychedelic vibe, lush vocal harmonies, intriguing lyrical imagery, great attention to instrumentation, and a decidedly mid- to late-1960s production sound. The album was produced and recorded by the group's main singer Bobby Harlow, who continues to share songwriting duties with bassist and co-vocalist John Krautner. The LP was also released on Compact Cassette in 2010 by Burger Records.

The Go (album)

The Go is the second official studio album by the garage rock band The Go. Both "Blue Eyes Woman" and "Summer's Gonna Be My Girl" are featured in the 2006 remake of The Hills Have Eyes. Other tracks from the album are featured in the television show My Name is Earl.

Track listing

Personnel

The Go (Skunkhour album)

The Go is the fourth and final studio album by Australian band Skunkhour. It was released in 2001. "Home" was released as a single in 1999 and two further singles were taken from the album—"Gold Radiation" (April 2001) and "Kick in the Door".

Singer Aya Larkin said the band, which had been forced to abandon a European touring schedule after being dropped by Sony Music in 1998, had been overtaken by a sense of despondency and found it hard to write. "Chin Chin didn't go as well as we hoped it would and we felt the band's future had been discounted. It brought about a period where we questioned if we wanted to write together any more. We had a year and a half where we faffed around, tried to write, scrapped 15 songs. There'd be months where we didn't even get together to try stuff."

The "Home" single, he said, "just kind of happened. We released it as an independent single to see whether or not we wanted to keep going, and people really liked the song. We approached the rest of our writing in a new way, and from that came this new album."