Jamo Thomas is an American soul and funk singer, best remembered for his 1966 hit single, "I Spy (For the FBI)".
Born in either The Bahamas or Chicago, he recorded for several different record labels between 1965 and 1976. His billing sometimes included his name alongside backing musicians, known as his Party Brothers Orchestra, or simply as Mr. Jamo. His biggest successes were "Bahama Mama" and a cover version of "I Spy (For the FBI)".
After a spell as a percussionist with the Pennsylvania-based Bobby Peterson Quintet in the late 1950s, Thomas relocated to Chicago in the early 1960s. He recorded his debut single, "Stop the Baby", in 1965 for the small Conlo Records label, with the track produced by Jerry Butler. Thomas was working for the singer at the time, as his valet and driver, while also playing percussion in his support band.
His next recording, "I Spy (For the FBI)", produced by Monk Higgins and Burgess Gardner and released on the small Thomas label (owned by Eddie Thomas), peaked at #98 on the US Billboard Hot 100 in 1966. It was re-issued on Polydor in the UK in 1969, when it reached #44 in the UK Singles Chart. The track proved to be his only appearance in either chart. The song was written by Herman Kelley and Richard "Popcorn" Wylie, and was originally recorded by Luther Ingram a few months prior to Thomas' version.
The going-to future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression to be going to. It is an alternative to other ways of referring to the future in English, such as the future construction formed with will (or shall) – in some contexts the different constructions are interchangeable, while in others they carry somewhat different implications.
Constructions analogous to the English going-to future are found in some other languages, including French and Spanish.
The going-to future originated by the extension of the spatial sense of the verb go to a temporal sense (a common change, the same phenomenon can be seen in the preposition before). The original construction involved physical movement with an intention, such as "I am going [outside] to harvest the crop." The location later became unnecessary, and the expression was reinterpreted to represent a near future.
The colloquial form gonna and the other variations of it as mentioned in the following section result from a relaxed pronunciation of going to. They can provide a distinction between the spatial and temporal senses of the expression: "I'm gonna swim" clearly carries the temporal meaning of futurity, as opposed to the spatial meaning of "I'm going [in order] to swim".
I spy for the FBI
(I spy for the FBI)
I spy for the FBI
(I spy for the FBI)
I got an x-ray camera hidden in your house
That sees what I can't see
And that man you were kissin' last night
Definitely was not me, oh baby
I spy for the FBI
(I spy for the FBI)
I spy for the FBI
(I spy for the FBI)
Just because he was wearin' shades
You thought he didn't leave a clue
I got his name, I know his game
He's double-0 you know who, oh baby
I spy for the FBI
(I spy for the FBI)
I spy for the FBI
(I spy)
I've got the facts in the file
Baby I don't have to guess
I took that agent's fingerprints
Off of your new red dress, oh baby
I spy for the FBI
(I spy for the FBI)
I spy for the FBI
(I spy for the FBI)
I know when you're out
I know when you're in
I know where you come from
I know where you've been
I know when you're up
I know when you're down
I know when you're in
Baby or out on the town
I spy for the FBI
(I spy for the FBI)
Baby, I spy for the FBI
(I spy for the FBI)
Baby, I spy for the FBI