Illicit may refer to:
Illicit is a 1931 American Pre-Code drama film directed by Archie Mayo and starring Barbara Stanwyck, James Rennie, Ricardo Cortez, and Natalie Moorhead. Based on a play by Edith Fitzgerald and Robert Riskin, the film is about a young couple living together out of wedlock because the woman does not believe in marriage. When they finally get married, both become unfaithful to each other. Illicit was produced and distributed by Warner Bros.
Anne Vincent (Barbara Stanwyck) is a woman who has modern ideas about love. She believes that marriage kills love and leads to unhappiness and, inevitably, divorce. Although her boyfriend Dick (James Rennie), and his father (Claude Gillingwater), try to persuade Anne to get married, she resists their arguments. Anne and Dick live together for a while without getting married but eventually Anne caves in to avoid scandal and agrees to marry Dick. Anne receives a telegram from her ex-boyfriend, Price (Ricardo Cortez), saying that he wants to visit her. Dick tries to prevent Anne from seeing him, but she does so anyway. Price tries to persuade Anne not to get married, tells her that he is still in love with her and warns her that she will be unhappy if she marries, but she remains unconvinced. Anne marries Dick and eventually they settle down and start to behave like a typical married couple. They become bored with each other, avoid each other and fight over silly things. Dick becomes interested in Margie (Natalie Moorhead) who tells him that she is in love with him. Soon, he begins a torrid affair with her. He spends less and less time with Anne. Eventually Anne tells Dick that they need to separate for a time. Dick becomes bored with Margie while Anne does the same with Price, who attempts to rekindle their old relationship. The separation makes Dick and Anne realize how much they love each other. They resume their relationship, initially as a courtship. Eventually, they move back in together as husband and wife.
Dillon & Dickins is a dance music production group based in London, England, and one of the many aliases used by House music producers and DJs Marc Dillon and Patrick Dickins who also founded the dance record company and music publishing company Higher State. Other aliases include the commonly miss-spelt Dillon & Dickens, Dpd, 99 Allstars, Disco Biscuit, Sound Environment, Spacebase, Upstate and their more successful one, Illicit.
As Dillon & Dickins, their Steers & Queers EP (catalogue numbers 99NTH15 & CDNTH15), released on Higher State's sublabel 99 North in May 1999, contained a track entitled "Queers R Doin It" which was used in the U.S. TV series Queer As Folk.
Having released a number of unofficial so-called Mashup songs under the alias of Illicit, one of their first official releases under this alias was "Pulsation" featuring Shannon (best known for her vocals on "Let the Music Play"), released on 99 North in 2000.
However, their most successful chart bound release was "Cheeky Armada", released in September 2001 on Azuli's Yola label, which reached number 72 in the UK Singles Chart. This was a re-vocalised and replayed version of one of their Mashup songs called "Sneaky Armada", which combined Groove Armada's "I See You Baby" with Teddy Pendergrass's "You Can't Hide From Yourself". This single also featured the vocals of Gram'ma Funk, who performed the original vocals on "I See You Baby".
Adhesive may be used interchangeably with glue, cement, mucilage, or paste, and is any substance applied to one surface, or both surfaces, of two separate items that binds them together and resists their separation. Adjectives may be used in conjunction with the word “adhesive” to describe properties based on the substance's physical or chemical form, the type of materials joined, or conditions under which it is applied.
The use of adhesives offers many advantages over binding techniques such as sewing, mechanical fastening, thermal bonding, etc. These include the ability to bind different materials together, to distribute stress more efficiently across the joint, the cost effectiveness of an easily mechanized process, an improvement in aesthetic design, and increased design flexibility. Disadvantages of adhesive use include decreased stability at high temperatures, relative weakness in bonding large objects with a small bonding surface area, and greater difficulty in separating objects during testing. Adhesives are typically organized by the method of adhesion. These are then organized into reactive and non-reactive adhesives, which refers to whether the adhesive chemically reacts in order to harden. Alternatively they can be organized by whether the raw stock is of natural or synthetic origin, or by their starting physical phase.
Glue is the debut studio album by British indie rock band, Eugene + the Lizards, though the second overall by frontman Eugene McGuinness, released on 30 November 2009 through Domino Records.
It was originally released as a 6-track limited edition 10" vinyl record, which then came with a digital code to download all 6 tracks plus the additional 4 tracks online for free, though it is now available for normal digital download on iTunes and AmazonMp3 and Domino mart.
All songs written and composed by Eugene McGuinness.
Glue is a 2001 novel by Scottish writer Irvine Welsh. Glue tells the stories of four Scottish boys over four decades, through the use of different perspectives and different voices. It addresses sex, drugs, violence, and other social issues in Scotland, mapping “the furious energies of working-class masculinity in the late 20th century, using a compulsive mixture of Lothians dialect, libertarian socialist theory, and an irresistible black humour.” The title refers not to solvent abuse, but the metaphorical glue holding the four friends together through changing times.
The four main characters are Terry Lawson (Juice Terry), Billy Birrell (Business Birrell), Andrew Galloway (Gally), Carl Ewart (DJ N-Sign). We first meet them as small children in 1970, then as teenagers around 1980, as young men around 1990 (on holiday in Munich), and as men in their late thirties around 2000 (during the Edinburgh Festival). The novel is split into five different sections.
[Verse 1]
I was on Miami Beach
Saw the girl of my fantasy
She was into finer things
Bathing suits and diamond belly rings
She was something like I never seen
Made me blow the whistle like the referee
Beside her is where I plan to be
And so to get her I'd do anything
Maybe even start a family
Or even get a house in Sandy Springs
She's so lovely like a melody
So baby, won't you come and jam with me?
[Chorus x2]
And she was so cool
Like the other side of a pillow
So baby, let's groove
Like an instrumental
[Verse 2]
Well come on over to my place
No need to be wasting time
You really must be from outer pace
Cause you really is blowing my mind
Now I done been from state to state
But I ain't never seen your kind
Cause every single time I look at you
Sends a tingling down my spine
Well girl, you must be mighty exhausted
Running these laps through my mind so often
Cause I been fallin', and I been callin'
I think I need a map cause' I'm so lost in
The things you do when you brush your hair
When you take it to the side and toss it over there
And it ain't that fair, cause the way she move
I stare
[Chorus x2]
And she was so cool
Like the other side of a pillow
So baby, let's groove
Like an instrumental
[Verse 3]
And she's so cool
Cool like a pool in the middle of June
I sweep her off her feet
I guess you could say that I give her the broom
And she gets so international with it
Whenever she get in the mood
Cause she's so Australian
Down under on my didgeridoo
And she be killin' it too, yeah
When she go in for the gold
Like a gymnast move
Oh, and what they saying is true, yeah
A lady in the bed but a freak in the room
That's why she's cooly, cooly, cooly
Like a smoothie in a jacuzzi
The opposite of Judge Judy
When she on duty
And she feeling me too
[Chorus x2]
And she was so cool
Like the other side of a pillow
So baby, let's groove