Adhesive may be used interchangeably with glue, cement, mucilage, or paste, and is any substance applied to one surface, or both surfaces, of two separate items that binds them together and resists their separation. Adjectives may be used in conjunction with the word “adhesive” to describe properties based on the substance's physical or chemical form, the type of materials joined, or conditions under which it is applied.
The use of adhesives offers many advantages over binding techniques such as sewing, mechanical fastening, thermal bonding, etc. These include the ability to bind different materials together, to distribute stress more efficiently across the joint, the cost effectiveness of an easily mechanized process, an improvement in aesthetic design, and increased design flexibility. Disadvantages of adhesive use include decreased stability at high temperatures, relative weakness in bonding large objects with a small bonding surface area, and greater difficulty in separating objects during testing. Adhesives are typically organized by the method of adhesion. These are then organized into reactive and non-reactive adhesives, which refers to whether the adhesive chemically reacts in order to harden. Alternatively they can be organized by whether the raw stock is of natural or synthetic origin, or by their starting physical phase.
Glue is the debut studio album by British indie rock band, Eugene + the Lizards, though the second overall by frontman Eugene McGuinness, released on 30 November 2009 through Domino Records.
It was originally released as a 6-track limited edition 10" vinyl record, which then came with a digital code to download all 6 tracks plus the additional 4 tracks online for free, though it is now available for normal digital download on iTunes and AmazonMp3 and Domino mart.
All songs written and composed by Eugene McGuinness.
Glue is a 2001 novel by Scottish writer Irvine Welsh. Glue tells the stories of four Scottish boys over four decades, through the use of different perspectives and different voices. It addresses sex, drugs, violence, and other social issues in Scotland, mapping “the furious energies of working-class masculinity in the late 20th century, using a compulsive mixture of Lothians dialect, libertarian socialist theory, and an irresistible black humour.” The title refers not to solvent abuse, but the metaphorical glue holding the four friends together through changing times.
The four main characters are Terry Lawson (Juice Terry), Billy Birrell (Business Birrell), Andrew Galloway (Gally), Carl Ewart (DJ N-Sign). We first meet them as small children in 1970, then as teenagers around 1980, as young men around 1990 (on holiday in Munich), and as men in their late thirties around 2000 (during the Edinburgh Festival). The novel is split into five different sections.
This article consists of a list of episodes of the animated series Static Shock.
Gear is a 1969 character sketch written by Richard Goldstein that was one of a series first appearing in 1966 in The Village Voice, a weekly New York City newspaper started in 1955 that reports news and various subjects in pop culture. Similar to short stories, character sketches in journalism became popular among 1960s writers and in this era focused on providing a realistic “picture of a type of person,” but differed in that sketches did not tell stories of particular individuals. Often, sketches served as warm-ups to an actual story, with light tone, mild mood and focus on a single aspect of the character type, “usually in details of status life," such as social or economic status.
Told in third-person point of view, limited to the protagonist, Gear is about a mid- to late-1960s 14-year-old boy named Ronnie. Ronnie wants to be cool and accepted because he is often made fun of by his peers. The kids call him “Railroad Tracks” and “Brooklyn Bridge” for the metal braces in his mouth. He is sketched as funky looking: skinny with acne; curly, balding hair; “bent fingers;” and “a face that looks like the end of a watermelon.” At home, he feels unwanted and as though his parents take him for granted. Ronnie lives in vain to become more like those who are popular – those the tone implies he thinks are more desirable and attractive to the world. He buys a pair of bell-bottom pants and has his mother tailor the cuffs to look cool. Thinking the new pants will make him more of a man, he heads out with the assumption that life will be better. The style of clothing Ronnie selects is typical of the style of a 1960s mod, as he is called by the narrator.
Gear was an American lad's mag published by Bob Guccione, Jr. devoted chiefly to revealing pictorials of popular singers, B-movie actresses, and models, along with articles on gadgets, cars, fashion, guy tales of sex, and sports.
Gear debuted in September 1998, with actress Peta Wilson on the cover. The magazine established itself with several publishing stunts such as publishing a nude photo of women's football celebrity Brandi Chastain.
When Gear featured a nude pictorial of actress Jessica Biel in the March 2000 issue, who posed while appearing on the family drama 7th Heaven and was then 17 years old, actor Stephen Collins, who played her father on the show, described the pictures as "child pornography". The mature Biel cited it as one of her biggest regrets.Esquire magazine described the photo shoot as "quasi-infamous".
Guccione described his vision for the magazine as being a successor to the likes of Esquire and GQ and to produce a literate magazine that includes quality journalism alongside articles on celebrities and fashion. Advertisers viewed the magazine as being more like Maxim, Stuff, or FHM, forcing it into the category of lads mags. Efforts were made to change the magazine's perceived image with instead of scantily clad female celebrities to present different cover images, including notable actors such as Elijah Wood and Christian Slater.
Era callejero por derecho propio
Su filosofía de la libertad
Fue ganar la suya sin atar a otros
y sobre los otros no pasar jamas
Aunque fue de todos nunca tuvo un dueño
Que condicionara su razón de ser
Libre como el viento era nuestro perro
Nuestro y de la calle que lo vio nacer.
Era un callejero con el sol a cuestas
Fiel a su destino y a su parecer
Sin tener horario para hacer la siesta
Y rendirle cuantas al amanecer
Era nuestro perro y era la ternura
Que nos hace falta cada día mas
Era una metáfora de la aventura
Que en el diccionario no se puede hallar.
Era nuestro perro por que lo que amamos
Lo consideramos nuestra propiedad
Y era de los niños y del viejo Pablo
A quien rescataba de su soledad.
Era un callejero y era el personaje,
de la puerta abierta en cualquier hogar
Era en nuestro barrio como del paisaje
El sereno, el cura y todos los demás
Era el callejero de las cosas bellas
Y se fue con ellas cuando se marcho
Se bebió de golpe todas las estrellas
Se quedo dormido y ya no despertó.
Nos dejo el espacio como testamento
Lleno de nostalgia, lleno de emoción
Vaga su recuerdo por mis sentimientos
Para derramarlos en esta canción.Cantante :Ataque 77Album :Otras cancionesCancion :CallejeroAñadida por :rodri_16 (76)Opciones -Imprimir