A glow plug engine, or glow engine, is a type of small internal combustion engine typically used in model aircraft, model cars and similar applications. The ignition is accomplished by a combination of heating from compression, heating from a glow plug and the catalytic effect of the platinum within the glow plug on the methanol within the fuel.
American inventor Ray Arden invented the first glow plug for model engines in 1947. Born in New York on February 24, 1890, Arden sold over 300 inventions, mainly toys, in the 1920s. In the late 1940s Arden invented miniature ignition engines while attempting to build the world's smallest model airplane engine. Methanol fuel came onto the market after World War II as a source of fuel for model engines. A couple of Arden's friends were running an ignition model engine and to their amazement, when they turned it off, the engine kept running. They investigated why this was and discovered that a fault in the spark plug had caused a part of it to become red hot. They called their friend Arden and the glow plug was born. From then on, model engines became much simpler, no longer requiring the additional weight, bulk, and complexity of points, ignition coils, condensers, timers and batteries.
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Luke Vibert is a British recording artist and producer known for his work in many subgenres of electronic music. Vibert began his musical career as a member of the Hate Brothers, only later branching out into his own compositions. Vibert has recorded under several different aliases, most notably Plug and Wagon Christ.
Vibert's first musical output was in a variety of bands, including a punk act called Five Minute Fashion and later a Beastie Boys-esque group called the Hate Brothers, but he quickly moved into the low-cost environment of solo electronic composition. Although Vibert originally had no intention of ever releasing any of the recordings, his reputation as a creative young voice in his field created a demand for his work.
Vibert originally became involved in electronic music through his interest in hip-hop as well as the environment of bedroom experimentalism associated with the swelling late 1980s UK dance scene.
Plugs are a popular type of hard-bodied fishing lure. They are widely known by a number of other names depending on the country and region. Such names include crankbait, wobbler, minnow, shallow-diver and deep-diver. The term minnow is usually used for long, slender, lures that imitate baitfish, while the term plug is usually used for shorter, deeper-bodied lures which imitate deeper-bodied fish, frogs and other prey. Shallow-diver and deep-diver refer to the diving capabilities of the lure, which depends on the size and angle of the lip, and lure buoyancy.
The concept of an attractant tied to the end of a line to entice fish goes back to prehistoric peoples, but the modern concept of the plug lure is attributed to James Heddon, a beekeeper from Dowagiac, Michigan, who was whittling a piece of wood one day in the late 19th century while relaxing alongside a millpond. When he rose to leave, he tossed the carved scrap of wood into the pond, and a large bass struck at it as it wobbled down through the water. Intrigued by this, Heddon began experimenting and perfected a design he dubbed the "Lucky 13" — a plug that is still sold today. By the early 20th century, many companies were in the business of designing and selling plug lures.
A plug, also known as reconciling amount, is an unsupported adjustment to an accounting record or general ledger. Ideally, bookkeeping should account for all numbers during reconciliation, i.e. when comparing two sets of accounting records to make sure they are in agreement. However, discrepancies, i.e. unintentional accounting errors can occur, for example due to data entry, or an adding or a rounding error. An organization may use a plug for an immaterial amount, because it may not be cost effective to search through numerous pages of transactions to find the error. The acceptability of a plug depends upon the amount: a plug must be immaterial in order to be justified.
Plugging is defined as "the use of false numbers in financial ledgers that forces balances, and effectively masks accounting errors and control deficiencies". Dependence on plugging has been described as "indicative of a dysfunctional finance and accounting system".
Accounting malpractice at the US Defense Department was investigated in 2013 by Reuters. At the Defense Finance and Accounting Service (DFAS) superiors ordered accountants to make unsubstantiated change actions and enter false numbers. In the Cleveland DFAS office, unsupported adjustments to make balances agree totaled $1.03 billion in 2010 alone, according to a December 2011 GAO report.
Glow is the second studio album by English Britpop band Reef. Produced by the band and George Drakoulias, the album was released on 27 January 1997 supported by the singles "Place Your Hands", "Come Back Brighter", "Consideration" and "Yer Old". Glow topped the UK Albums Chart.
Generally speaking, Glow was received positively. Stephen Thomas Erlewine of music website Allmusic gave the album four out of five stars, claiming it to be "more focused and better than its predecessor [Replenish]" and describing it as "inspired" and "terrific". Rock music magazine Kerrang! ranked the album third on their 1997 "Albums of the Year" list.
All lyrics written by Gary Stringer, all music composed by Reef.
Glow, the sixth full-length album by American guitarist Kaki King, was released October 9, 2012. On Glow King returns to her instrumental roots and is accompanied by the string quartet ETHEL. “This is a guitar record,” King says to describe this album. The first single, "Great Round Burn", is available to download at RollingStone.com.
The album currently has a Metacritic rating of 68% based on six reviews from professional critics, indicating generally favorable reviews.
"Glow" is a song by British singer and songwriter Ella Henderson. It was released on 5 October 2014 as the second single from her debut studio album Chapter One. The song was written by Camille Purcell and Steve Mac.
The music video premiered on 12 August 2014. It features Ella and several other dancers performing on a dark field and then later a court yard.