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In music, a radio edit is a modification to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version.
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Radio edits often shorten a lengthen a song to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse.
Some songs will be remixed heavily and feature different arrangements than the original longer versions, occasionally even being completely different recordings. A popular example of this would be "Revolution" by The Beatles which is a completely different recording than the version which appears on The White Album. This also became more prevalent with the rise of the 12" record, as artists like New Order started making songs specifically for the format. Many of the 7" mixes aimed for pop radio airplay of their songs feature very different arrangements, such as "Bizarre Love Triangle", or even a completely different recording, such as "Temptation".
Occasionally, very long songs do not have a radio edit, despite being as long as six or seven minutes in length. Famous examples of these include "Vicarious" (2006) by Tool at 7 minutes and 6 seconds, "Hey Jude" (1968) by The Beatles at 7 minutes and 11 seconds long, "Stairway to Heaven" (1971) by Led Zeppelin at 8 minutes and 3 seconds, "The Message" (1982) by Grandmaster Flash and the Furious Five at 7 minutes and 10 seconds, "One" (1989) by Metallica at 7 minutes and 24 seconds, and "American Pie" by Don McLean with a length of 8 minutes and 32 seconds. Ying Yang Twins' "Georgia Dome" has a radio edit removing profanity, but at the same length (6 minutes 6 seconds) as the album version. Occasionally, due to popular demand, the longer version of a song will be played over the shorter version, such as "Like a Rolling Stone" by Bob Dylan, which was released on a 7" single featuring the first two verses on side 1 and the rest of the song on side 2. Due to the popularity of the song, radio stations started playing the full version to meet their listeners' demand.
On rare occasions, a radio edit might be longer than the original album version. This may occur when the song is edited for form, such as "Miserable" by Lit, in which the radio edit adds the chorus between the first and second verse.
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The radio edit version of Fuck You by Lily Allen uses humorous sound effects to replace the word 'Fuck'
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Radio edits often come with any necessary censorship done to conform to decency standards imposed by government agencies, such as the Federal Communications Commission in the United States, the Canadian Radio-television and Telecommunications Commission in Canada, and Ofcom in the United Kingdom. The offending words may be silenced, reversed, or replaced/distorted by a sound effect. Occasionally, the song may be re-recorded with different lyrics, ranging from just the replacement of one line being re-recorded, like James Blunt's "You're Beautiful," which replaces "fucking high" with "flying high" in the second verse, to the entire song be completely changed, such as D12's "Purple Hills", which replaces profanity, drug references, and other inappropriate lyrics from the original "Purple Pills". Another example of the first type (one-line replacement) is The Black Eyed Peas song "Let's Get It Started", whose original title was "Let's Get Retarded" but was changed to make it suitable for radio play. Sean Kingston's "Beautiful Girls", in some radio edits, changed "You got me suicidal" to "in denial". The whole chorus of Cee Lo Green's "Fuck You" substituted the word "Fuck" with "Forget", thus changing the title to "Forget You" on the radio edit. Radio edits may have more words edited than the "clean version", because of the stations' or agencies' standards. An "amended" radio edit which only removes the major profanities while keeping the small profanities can be produced for some stations that allow small profanities (e.g. "You're Going Down" by Sick Puppies and "Bad Girlfriend" by Theory of a Deadman) whereas a "dirty" radio edit preserving the offensive language but maintaining the shorter play time may be produced, which may be aimed at club play, post-watershed radio, and non-terrestrial radio stations. Kid Rock wrote the term "radio edit" into two of his songs, both of which are the same on radio and album versions.
Other terms for a "radio edit"
On occasions when songs have been completely re-worked or the instrumental arrangements have been changed slightly, the radio edit can be labeled in print with the remixer's name (e.g. Celine Dion's 2002 single of "I'm Alive", the radio version was referred to as the 'Humberto Gatica Radio Mix') rather than just "Radio Edit".
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This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. Please improve this article by introducing more precise citations. (October 2009) |
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
Radio is an English language song by Danny Saucedo and the first single taken from his album Set Your Body Free. The song released in 2008 was written by Michel Zirton, Tobias Gustavsson and Danny Saucedo himself.
The song entered the Swedish Singles Chart on 13 November 2008 reaching #1 on 4 December 2008 and staying for another week at #1, with a total 11 weeks in the charts.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."
Glow or GLOW may refer to:
"Glow" is a song by British singer and songwriter Ella Henderson. It was released on 5 October 2014 as the second single from her debut studio album Chapter One. The song was written by Camille Purcell and Steve Mac.
The music video premiered on 12 August 2014. It features Ella and several other dancers performing on a dark field and then later a court yard.
‘Glow is the Scottish Schools National Intranet. This is a major national ICT and telecommunications programme managed by Education Scotland. The funding for Glow came from the Scottish Government and the project is a collaboration between local authorities, Education Scotland and RM Education.
Preparation for Glow began with an investigatory phase known as Phase Zero, which involved checking that Glow could interface with the management information systems of the 32 Education Authorities in Scotland in order to provision the anticipated 800,000 accounts. Glow was then piloted over a number of stages, and at each stage further functionality was introduced and tested.
According to Education Scotland "The main purpose of Glow is to enhance the quality of learning and teaching in the classroom by fully supporting the delivery of Curriculum for Excellence."
The full Glow service is web-delivered and browser-based, enabling access from school, home or anywhere that internet access is possible.
Hey girl, is he everything you wanted in a man
You know I gave you the world
You had me in the palm of your hand
So why your love went away
I just can't seem to understand
Thought it was me and you babe
Me and you until the end
But I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Tell me is this fair?
Is this the way it's really going down?
Is this how we say goodbye?
Should've known better when you came around
That you were gonna make me cry
It's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find...
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
Now girl, I remember everything that you claimed
You said that you were moving on now
And maybe I should do the same
Funny thing about that is
I was ready to give you my name
Thought it was me and you, babe
And now, it's all just a shame
And I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Can you tell me is this fair?
Is this the way its really going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around comes around
Yeah
What goes around comes around
You should know that
What goes around comes around
Yeah
What goes around comes around
You should know that
Don't want to think about it (no)
Don't want to talk about it
I'm just so sick about it
Can't believe it's ending this way
Just so confused about it
Feeling the blues about it (yeah)
I just can't do without ya
Tell me is this fair?
Is this the way things are going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
But that's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
[Comes Around interlude:]
Let me paint this picture for you, baby
You spend your nights alone
And he never comes home
And every time you call him
All you get's a busy tone
I heard you found out
That he's doing to you
What you did to me
Ain't that the way it goes
When You cheated girl
My heart bleeded girl
So it goes without saying that you left me feeling hurt
Just a classic case
A scenario
Tale as old as time
Girl you got what you deserved
And now you want somebody
To cure the lonely nights
You wish you had somebody
That could come and make it right
But girl I ain't somebody with a lot of sympathy
You'll see
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
See?
You should've listened to me, baby
Yeah, yeah, yeah, yeah
Because
(What goes around comes back around)