Glitter (film)

Glitter is a 2001 American romantic musical drama film produced by 20th Century Fox and Columbia Pictures, starring American R&B singer-songwriter Mariah Carey and featuring rapper Da Brat. The film was written by Kate Lanier and directed by Vondie Curtis Hall. Set in 1982, Carey plays Billie Frank, who wants to be a famous singer, and along with her friends Louise and Roxanne, is a club dancer. Timothy Walker (Terrence Howard) offers them a contract as backup singers/dancers to a singer. In the premiere of the song they recorded, Frank meets Julian "Dice" Black (Max Beesley), who is a DJ in a night club, and helps her in her solo career. In the process, Frank and Dice fall in love with each other.

Carey began working on a film and soundtrack project titled All That Glitters in 1997. However, during that period, her record company Columbia Records pressured Carey to release a compilation album, in time for the favorable holiday season in November 1998. Consequently, Carey put All That Glitters on hold. Following this, Carey aimed to complete the film and album project for the summer of 2001. Shooting began in Toronto and New York at the end of September 2000. Carey utilized the time to work on the soundtrack of the film, along with Eric Benét and Da Brat, who also appeared on the film.

Glitter (Kaya album)

Glitter is the debut album of ex-Schwarz Stein vocalist Kaya, released on December 27, 2006.

Glitter contains remixes Kaya's first two singles "Kaleidoscope" and "Masquerade", as well as "Psycho Butterfly", the B-side of "Masquerade". All background music is composed by Hora (ex Schwarz Stein).

Track listing

Glitter (disambiguation)

Glitter is a mixture of shiny, flat reflective particles.

Glitter may also refer to:

Media

Music

Movies and television

Books and comics

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.