Glastonbury Festival

Glastonbury Festival is a five-day festival of contemporary performing arts that takes place near Pilton, Somerset, England. In addition to contemporary music, the festival hosts dance, comedy, theatre, circus, cabaret, and other arts. Leading pop and rock artists have headlined, alongside thousands of others appearing on smaller stages and performance areas. Films and albums recorded at Glastonbury have been released, and the festival receives extensive television and newspaper coverage. Glastonbury is the largest greenfield festival in the world, and is now attended by around 175,000 people, requiring extensive infrastructure in terms of security, transport, water, and electricity supply. The majority of staff are volunteers, helping the festival to raise millions of pounds for good causes.

Inspired by the ethos of the hippie, counterculture, and free festival movements, the festival retains vestiges of these traditions, such as the Green Fields area, which includes sections known as the Green Futures and Healing Fields. After the 1970s, the festival took place almost every year and grew in size, with the number of attendees sometimes being swollen by gate-crashers. Michael Eavis hosted the first festival, then called Pilton Festival, after seeing an open-air Led Zeppelin concert at the 1970 Bath Festival of Blues and Progressive Music.

Glastonbury Festival (1914–25)

The first Glastonbury Festivals were a series of cultural events held in summer, from 1914 to 1926 in Glastonbury, Somerset, England. The festivals were founded by English socialist composer Rutland Boughton and his librettist Reginald Buckley. Apart from the founding of a national theatre, they envisaged a summer school and music festival based on utopian principles. With strong Arthurian connections and historic and prehistoric associations, Glastonbury was chosen to host the festivals. Among the supporters were Sir Edward Elgar and George Bernard Shaw, while financial support was received from the Clark family, shoemakers in nearby Street. The first festival included the premiere performance of Boughton's opera The Immortal Hour. By the time the festivals ended in 1926, 350 staged works had been performed, as well as a programme of chamber music, lectures and recitals. The festivals ended ignominiously when Boughton's backers withdrew funds following a scandalous production of his Nativity opera Bethlehem in London. In sympathy with the miners and the ongoing General Strike, the production had Jesus born in a miner's cottage with King Herod as a top-hatted capitalist and his soldiers in police uniforms.