Glass (film)
Glass (Dutch: Glas) is a 1958 Dutch short documentary film by director and producer Bert Haanstra. The film won the Academy Award for Documentary Short Subject in 1959. The film is about the glass industry in the Netherlands. It contrasts the handmade crystal from the Royal Leerdam Glass Factory with automated bottle making machines. The accompanying music ranges from jazz to techno. Short segments of artisans making various glass goods by hand are joined with those of mass production. It is often acclaimed to be the perfect short documentary.
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Glass (1989 film)
Glass is a 1989 Australian erotic thriller which was the feature debut of Chris Kennedy.
Cast
Production
Chris Kennedy made the movie shortly after leaving film school:
Reception
According to Kennedy the film sold very well overseas and recouped a fair amount of its budget. The director calls it "a bit of a raw and amateurish effort, but there are bits and pieces of it I quite like."
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Fiberglass
Fiberglass (or fibreglass) is a type of fiber reinforced plastic where the reinforcement fiber is specifically glass fiber. The glass fiber may be randomly arranged, flattened into a sheet (called a chopped strand mat), or woven into a fabric. The plastic matrix may be a thermosetting plastic – most often epoxy, polyester resin – or vinylester, or a thermoplastic.
The glass fibers are made of various types of glass depending upon the fiberglass use. These glasses all contain silica or silicate, with varying amounts of oxides of calcium, magnesium, and sometimes boron. To be used in fiberglass, glass fibers have to be made with very low levels of defects.
Fiberglass is a strong lightweight material and is used for many products. Although it is not as strong and stiff as composites based on carbon fiber, it is less brittle, and its raw materials are much cheaper. Its bulk strength and weight are also better than many metals, and it can be more readily molded into complex shapes. Applications of fiberglass include aircraft, boats, automobiles, bath tubs and enclosures, swimming pools, hot tubs, septic tanks, water tanks, roofing, pipes, cladding, casts, surfboards, and external door skins.
Christian prayer
Prayer is an important activity in Christianity, and there are several different forms of Christian prayer.
Christian prayers are diverse: they can be completely spontaneous, or read entirely from a text, like the Anglican Book of Common Prayer. The most common prayer among Christians is the "Lord's Prayer", which according to the gospel accounts (e.g. Matthew 6:9-13) is how Jesus taught his disciples to pray. "The Lord's Prayer" is a model for prayers of adoration, confession and petition in Christianity.
A broad, three stage characterization of prayer begins with vocal prayer, then moves on to a more structured form in terms of meditation, then reaches the multiple layers of contemplation, or intercession.
There are two basic settings for Christian prayer: corporate (or public) and private. Corporate prayer includes prayer shared within the worship setting or other public places. These prayers can be formal written prayers or informal extemporaneous prayers. Private prayer occurs with the individual praying either silently or aloud within a private setting. Prayer exists within multiple different worship contexts and may be structured differently. These types of contexts may include:
Prayer (disambiguation)
Prayer is the active effort to communicate with a deity or higher being.
Prayer or Prayers may also refer to:
In music:
Other uses:
Coppélia
Coppélia is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll). In Greek, κοπελιά means girl, young lady. Coppélia premiered on 25 May 1870 at the Théâtre Impérial l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilde. Its first flush of success was interrupted by the Franco-Prussian War and the Siege of Paris (which also led to the early death of Giuseppina Bozzacchi, on her 17th birthday), but eventually it became the most-performed ballet at the Opéra.
Modern-day productions are traditionally derived from the revivals staged by Marius Petipa for the Imperial Ballet of St. Petersburg in the late 19th century. Petipa's choreography was documented in the Stepanov method of choreographic notation at the turn of the 20th century. These notations were later used to stage the St. Petersburg version for such companies as the Vic-Wells Ballet (precursor of today's Royal Ballet).
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