Giles Duley (born 15 September 1971, Wimbledon, London, England) is a British documentary photographer and photojournalist. He is best known for his photography of humanitarian issues and the consequences of conflict. In 2011 he was severely injured after stepping on an IED whilst in Afghanistan and as a result became a triple amputee.
Duley started his career as a music photographer after studying at college. During the 1990s he worked for publications such as Select, Q, Esquire, GQ and Arena, particularly photographing the Britpop movement. He worked with Oasis, the Prodigy, the Charlatans, Underworld and Pulp. He also photographed numerous international artists including Mariah Carey, Marilyn Manson, Lenny Kravitz and the Black Crowes.
In 2000 Q Magazine voted his portrait on Marilyn Manson among the greatest rock photos of all time.
In 2000 gave up music photography to pursue his passion for documentary photography on a full-time basis. Concentrating on lesser known humanitarian issues and the consequences of conflict on civilians, Duley's work focuses on the human spirit and aim to retain the subjects dignity. He has worked with many respected NGO's including MAG, UNHCR, Emergency and Médecins Sans Frontières in countries including South Sudan, Nigeria, Congo, Kenya, Angola, Bangladesh and Ukraine.
seems like you were in a glass hotel
seems like, seems like
seems like there was someone else as well
seems like, it seems
seems like you were in your glass hotel
seems like, seems like
it seems like everything was going well
it seems like a dream
well the radio was playing
in the darkness of the hall
there was someone standing with you
who just wasn't there at all
and you were laughing
well the telephone was ringing
in a corridor of blue
a geranium came out of it
reminded me of you
and i was crying
seems like you were in a glass hotel
seems like, it seems like
seems like there was someone else as well
it seems like, it seems
well there's nothing in the future
and there's nothing in the past
there is only this one moment
and you've got to make it last