Gigi (song)

"Gigi" is the title song from the 1958 Academy Award-winning film, directed by Vincente Minnelli. It was written by Frederick Loewe (music) and Alan Jay Lerner (words), sung by Louis Jourdan in the film. It then went on to win the Academy Award for Best Original Song in 1958.

A cover version by Billy Eckstine peaked at #8 in the UK Singles Chart in 1959. Instrumental version was recorded on March 21, 1962, for the LP There Is Nothing Like a Dame with Pete Candoli and Conte Candoli on trumpets, Shelly Manne on drums, Jimmy Rowles on piano, Howard Roberts on guitar and Gary Peacock on bass. Sergio Franchi recorded the song in England with Wally Stott on his 1964 RCA Victor Red Seal album Women in My Life.

References

Gigi

Gigi (pronounced: [ʒi.ʒi]) is a 1944 novella by French writer Colette. The plot focuses on a young Parisian girl being groomed for a career as a courtesan and her relationship with the wealthy cultured man named Gaston who falls in love with her and eventually marries her.

The novella was the basis for a 1949 French film starring Danièle Delorme and Gaby Morlay.

In 1951, it was adapted for the stage by Anita Loos. Colette had personally picked the yet unknown Audrey Hepburn on first sight to play the title role. Her Aunt Alicia was played by stage legend Cathleen Nesbitt, who was to become Hepburn's acting mentor from that time on. Opening on 24 November 1951 on Broadway at the Fulton Theatre, the play ran for 219 performances (finishing on 31 May 1952) and Hepburn's debut on Broadway earned her a Theatre World Award.

The novella was translated into English by Roger Senhouse and published (with "The Cat" translated by Antonia White) in 1953.

Seven years later, a musical film version with a screenplay by Alan Jay Lerner and a score by Lerner and Frederick Loewe won the Academy Award for Best Picture. This film version starred Leslie Caron and Louis Jourdan. The story of a girl being groomed to be a courtesan by her grandmother made producer Arthur Freed doubt making it as a straight drama would be acceptable to the American censors, so they "cleaned it up" and turned it into a musical.

Gigi (play)

Gigi (1951) is a popular play, written by Anita Loos. It is based on Colette's 1945 novel of the same name, and was produced on Broadway, where it starred Audrey Hepburn in the title role.

Plot

The play's plot generally follows that of the original story, focusing on a young 19th century Parisian girl being groomed for a career as a courtesan. Gigi lives with her mother and grandmother, and takes lessons at the home of her aunt. Her lessons include social manners, conversation, and personal relationships. The family has significant social connections, and have been great friends with the rich playboy Gaston. Gaston is bored with his life, and his only joy seems to be in the company of Gigi and her family.

Aunt Alicia decides that the time is right for Gigi's entry into society. After dressing her up, she is presented to Gaston as a young woman. He is, at first, dismayed at the change. Gradually he realizes that he is attracted to Gigi, and takes her out on the town. As the night progresses, Gaston sees the emptiness of his life and wants something more. He proposes marriage to Gigi, and she gladly accepts.

Gigi (musical)

Gigi is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. It is based on the novella Gigi by Colette and 1958 hit musical film of the same name. The story concerns Gigi, a free-spirited teenaged girl living in Paris at the turn of the 20th century. She is being groomed as a courtesan in her family's tradition. Before she is deemed ready for her social debut, she encounters the bon vivant bachelor Gaston Lachaille, whom she captivates as she is transformed into a charmingly poised young lady.

The original Broadway production, produced by Edwin Lester in 1973, ran for a disappointing 103 performances but won the Tony Award for Best Score. A West End production played in 1985.

A new production of the musical, adapted by Heidi Thomas and directed by Eric D. Schaeffer, premiered at the Kennedy Center (Washington, DC) in January 2015, and opened on Broadway April 8, 2015 at the Neil Simon Theatre. The revival production closed on June 21, 2015.

Background

Song

A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.

& (disambiguation)

&, or ampersand, is a typographic symbol.

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Song (airline)

Song, LLC was a low-cost air service within an airline brand owned and operated by Delta Air Lines from 2003 to 2006.

Song's main focus was on leisure traffic between the northeastern United States and Florida, a market where it competed with JetBlue Airways. It also operated flights between Florida and the West Coast, and from the Northeast to the west coast.

Song's aircraft were fitted with leather seats and free personal entertainment systems at every seat, with audio MP3 programmable selections, trivia games that could be played against other passengers, a flight tracker, and satellite television (provided by the DISH Network). Song offered free beverages, but charged for meals and liquor. Both brand-name snack boxes and healthy organic meals were offered. The flight safety instructions were sung or otherwise artistically interpreted, depending on the cabin crew. In addition to crew uniforms designed by Kate Spade, customized cocktails created by nightlife impresario Rande Gerber and an in-flight exercise program designed by New York City fitness guru David Barton, the airline created its own distinct mark in the industry. The Song brand was placed on more than 200 flights a day which carried over ten million passengers.