Ghost Dance (disambiguation)

The Ghost Dance of 1890 was a Native American spiritual movement.

Ghost Dance may also refer to:

Ghost Dance

The Ghost Dance (Caddo: Nanissáanah, also called the Ghost Dance of 1890) was a new religious movement incorporated into numerous Native American belief systems. According to the teachings of the Northern Paiute spiritual leader Wovoka (renamed Jack Wilson), proper practice of the dance would reunite the living with spirits of the dead, bring the spirits of the dead to fight on their behalf, make the white colonists leave, and bring peace, prosperity, and unity to native peoples throughout the region.

The basis for the Ghost Dance, the circle dance, is a traditional form that has been used by many Native Americans since prehistoric times, but this new ceremony was first practiced among the Nevada Paiute in 1889. The practice swept throughout much of the Western United States, quickly reaching areas of California and Oklahoma. As the Ghost Dance spread from its original source, Native American tribes synthesized selective aspects of the ritual with their own beliefs.

The Ghost Dance was associated with Wilson's (Wovoka's) prophecy of an end to white expansion while preaching goals of clean living, an honest life, and cross-cultural cooperation by Native Americans. Practice of the Ghost Dance movement was believed to have contributed to Lakota resistance to assimilation under the Dawes Act. In the Wounded Knee Massacre in 1890, U.S. Army forces killed at least 153 Miniconjou and Hunkpapa from the Lakota people. The Sioux variation on the Ghost Dance tended towards millenarianism, an innovation that distinguished the Sioux interpretation from Jack Wilson's original teachings. The Caddo Nation still practices the Ghost Dance today.

Ghost Dance (film)

Ghost Dance is a 1983 British film directed by Ken McMullen. This independent film explores the beliefs and myths surrounding the existence of ghosts and the nature of cinema.

Plot

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. It is an adventure film strongly influenced by the work of Jacques Rivette and Jean-Luc Godard but with a unique intellectual and artistic discourse of its own and it is this that tempts the ghosts to appear, for Ghost Dance is permeated with all kinds of phantasmal presence. The film focuses on philosopher Jacques Derrida who considers ghosts to be the memory of something which has never been present. This theory is explored in the film. This Film has also been compared with the following works; Celine and Julie Go Boating, Thelma & Louise, O Lucky Man, Sans Soleil, Week End, Viva Maria.

Cast

Easter (Patti Smith Group album)

Easter is the third studio album by the Patti Smith Group, released in March 1978 on Arista Records (see 1978 in music). Produced by Jimmy Iovine, it is regarded as the group's commercial breakthrough, owing to the success of the single, "Because the Night" (co-written by Bruce Springsteen and Smith), which reached #13 on the Billboard Hot 100 and #5 in the UK.

History

The first album released since Smith had suffered a neck injury while touring for Radio Ethiopia, Easter has been called the most commercially accessible of the Patti Smith Group's catalogue. Unlike its two predecessors, Easter incorporated a diversity of musical styles, though still including classic rock and roll ("25th Floor/High on Rebellion", "Rock N Roll Nigger"), folk ("Ghost Dance"), spoken word ("Babelogue") and pop music ("Because the Night"). Easter is the only 1970s album of Smith's that does not feature Richard Sohl as part of the Patti Smith Group; in one interview at the time, Smith stated that Sohl was sick and this prevented him from participating in recording the album. Bruce Brody is credited as the keyboard player, Richard Sohl makes a guest appearance contributing keyboards to "Space Monkey", along with Blue Öyster Cult keyboardist Allen Lanier. The cover photograph is by Lynn Goldsmith and liner notes photography by Cindy Black and Robert Mapplethorpe.