A solar deity (also sun god or sun goddess) is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms.
The Neolithic concept of a "solar barge" (also "solar bark", "solar barque", "solar boat" and "sun boat", a mythological representation of the sun riding in a boat) is found in the later myths of ancient Egypt, with Ra and Horus. Predynasty Egyptian beliefs attribute Atum as the sun-god and Horus as a god of the sky and sun. As the Old Kingdom theocracy gained power, early beliefs were incorporated with the expanding popularity of Ra and the Osiris-Horus mythology. Atum became Ra-Atum, the rays of the setting sun. Osiris became the divine heir to Atum's power on Earth and passes his divine authority to his son Horus. Early Egyptian myths imply the sun is within the lioness, Sekhmet, at night and is reflected in her eyes; or that it is within the cow, Hathor, during the night, being reborn each morning as her son (bull).
Sun god may refer to:Helios
The Sun God Festival is an annual campus festival at the University of California, San Diego that usually takes place on the Friday of the seventh week during spring quarter. Beginning in the early afternoon and running throughout the evening until midnight, the festival is produced by the Associated Students Concerts & Events office and paid for by the students with an activity fee. The festival contains a fair, as well as multiple stages which feature art performances, DJ performances, and a mix of underground/indie bands and mainstream groups. All of this occurs on RIMAC Field. The main stage is traditionally opened by the winner of the Battle of the Bands at UCSD.
The festival's name references the Sun God, an on-campus statue by French artist Niki de Saint Phalle (1930–2002). The Sun God was the first contribution to the famous Stuart Collection. The first Sun God Festival coincided with the one-year anniversary of the statue's arrival in 1984. The festival's original location was adjacent to the statue, but it has since grown and moved numerous times, from Price Center to the now-demolished Mile High Field, to its current location on the RIMAC field.
Eminem Presents: The Re-Up is a hip hop compilation album performed by various artists of American record label, Shady Records. The album features performances by Shady Records artists Eminem, D12, 50 Cent, Obie Trice, Stat Quo, Bobby Creekwater and Cashis, while affiliated artists such as Lloyd Banks, Akon and Nate Dogg, made guest appearances. The album debuted at number two on the US Billboard 200 chart and has since sold over one million copies in the US alone, being certified platinum by the RIAA.
The album began as a street mixtape project; an underground, unofficial CD with raw production values. "But what happened is that the material was so good and the tracks were getting produced like a regular album", Eminem said: "Instead of putting it out there rough and unfinished, I thought we should add some other new tracks, make it a real album, and put it in the record stores to give these new artists a real boost".
Rampant misinformation about Eminem Presents: The Re-Up included many false internet track listings and the claim that the mixtape would be a tribute to the late Proof of D12. "The D12 album and those unreleased songs with Proof are coming", said Eminem, "but The Re-Up is about these new artists and these new songs. It isn't fair to them or to the memory of Proof to mix them up".
Get Low may refer to:
"Get Low" is a song by Lil Jon & the East Side Boyz featuring Ying Yang Twins, released in 2003. It is featured on the 2002 album Kings of Crunk. The song reached number two on the US Billboard Hot 100 and number 20 on the US Hot Digital Songs. It was number five on the top Hot R&B/Hip-Hop songs of 2003. It is also known as a breakthrough single for the crunk genre, as the song's success helped it become mainstream.
Three different radio edits of "Get Low" have been released. One had amended lyrics (i.e. "take that thang to the floor, you skank, you skank"), while the other two bleeped out certain profanities. Of the two bleep censored versions, one version left the word "goddamn" intact while the other censored the word.
The song is referenced by Vampire Weekend in their song "Oxford Comma" from their 2008 self-titled album, proclaiming "First the window, then it's to the wall/ Lil' Jon, he always tells the truth." Chris Rock also referenced the song in a sketch about rap music in his special Never Scared, stating that he still loved rap music but was "tired of defending it" in reference to the song's explicit and misogynistic lyrics, saying "We all should be ashamed of ourselves for liking this fucking song!"
Please, please, please, please, please
Won't you give your love to me, me?
Are you gonna give me your love?
Love would be enough
We need each other
Come together as one
Love would be enough
Please, please, please, please, please
Won't you give your love to me, me?
Are you gonna give me your love?
Love would be enough
We need each other
Come together as one
Love would be enough
We need each other
Come together as one
You got to live
You got to die
So what's the purpose
Of you and I?
You want some passion
You can receive
And there ain't no question