Get down

Get down is a stance, posture or movement in many traditional African cultures and throughout the African diaspora. It involves bending at the waist and knees, bringing the body low to the ground in moments of ecstasy or intensity. Bending at the knees and waist is an expression of profound spirituality and connectedness to the earth. It also indicates suppleness and conveys qualities and values of vitality, youthfulness and energy.

In Gahu choreography, often dancers move counterclockwise in a circle of alternating men and women; their performance includes "long passages of a lightly bouncy basic 'step' leavened with brief 'get down' sections in which the dancers lower their center of weight and move with intensified strength and quickness."

The term "get down" in popular music and slang is directly related to this particular element of the African aesthetic, filtered through the African-American experience. Use of the term by white Americans since the middle-20th century, though, is credited to the influence of a white disc jockey, Bill "Hoss" Allen, who used it on his nightly soul music shows on Nashville, Tennessee station WLAC.

Get Down

Get Down may refer to:

Music

Albums

Songs

Get Down! (album)

Get Down! is an album by Soulive that was released on September 24, 2002 as a reissue. It was originally recorded between March and June 1999. The album was produced by Jeff Krasno and Sean Hoess.

The album is widely regarded as Soulive's first album. With this release, Soulive made its debut with the typical jazz organ trio combination of Eric Krasno on guitar, Alan Evans on drums, and Neal Evans on a Hammond B3 . This album includes the popular "Uncle Junior," which has since become a fan favorite and major staple of a live Soulive performance.

Track listing

References

Dutch Golden Age painting

The Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history generally spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.

The new Dutch Republic was the most prosperous nation in Europe, and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south, and the upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art needed to reinvent itself entirely, a task in which it was very largely successful.

Although Dutch painting of the Golden Age comes in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders. Most work, including that for which the period is best known, reflects the traditions of detailed realism inherited from Early Netherlandish painting.