George Henry Cram (January 22, 1838 – August 5, 1872) was a general in the Union Army during the American Civil War.
George Henry Cram was born in Shamokin, Pennsylvania, and was a merchant before entering the military service.
Cram was named as captain of Company H of the 9th Kentucky Infantry on November 26, 1861. He was wounded in the Battle of Shiloh in Tennessee in the spring of 1862. In April, Cram was promoted to lieutenant colonel and fought at the Battle of Perryville in that capacity. He commanded the 9th Kentucky at the Battle of Stones River in late December, where he was again wounded in action. In March 1863, he was promoted to colonel of the 9th Kentucky Infantry. He fought at the Battle of Chickamauga and led his regiment in the East Tennessee campaign, as well as during the assault on Missionary Ridge at Chattanooga, where he was yet again wounded. During the Atlanta Campaign, Cram commanded a brigade with distinction. He was later brevetted as a brigadier general for his performance.
George Henry may refer to:
George Washington Henry (1863–1934), is a former professional baseball player who played outfield in the National League for the 1893 Cincinnati Reds. He played in the minor leagues through 1905.
George Henry (1858–1943) was a Scottish painter, one of the most prominent of the Glasgow School.
He was born in Irvine, North Ayrshire, and studied at the Glasgow School of Art, later in Macgregor's studio, but learned most from his nature studies at Kirkcudbright. His father's name was Hendry and George dropped the "d" from his surname as a young man.
He was influenced also by his collaboration with E. A. Hornel in such works as "The Druids" (1887), Grosvenor Gallery, London. His "Galloway Landscape" was epoch-making at Glasgow by reason of its higher key of colour and essentially decorative character. Following these tendencies, the two friends spent a year and a half in Japan.
Henry's importance consists in his influence in the Glasgow school in the direction of richer and more decorative color. In addition to genre and landscape, he also painted portraits, more distinguished by technical ability than by rendition of character. Henry's pictures in public collections include "The Blue Gown," Museum of Cape Town, "The Gray Hat," at Edinburgh, two portraits at Glasgow, and one at Montreal. He was elected a member of the Royal Scottish Academy (1902) and an associate of the Royal Academy.