Geno may refer to:
Dexys Midnight Runners (currently called Dexys) are an English pop band with soul influences, who achieved their major success in the early to mid-1980s. They are best known for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. However, in the U.S., due to lacklustre promotion, Dexys' only hit was "Come On Eileen", which gave the band an undeserved image as "one-hit wonders".
During the late 1970s and early 1980s, Dexys went through numerous personnel changes over the course of three albums and thirteen singles, with only singer/songwriter/co-founder Kevin Rowland remaining in the band through all of the transitions and only Rowland and "Big" Jim Paterson (trombone) appearing on all of the albums. The band broke up in 1987, with Rowland becoming a solo artist. Dexys was reformed by Rowland in the 2000s, with a few members from the band's original lineups re-joining, including Paterson. In 2012 the band released their fourth album.
"Geno" is a 1980 song by Dexys Midnight Runners. Written by Kevin Archer and Kevin Rowland, it was the band's second single and their first UK number one, staying at the top of the Singles Chart for two weeks. The song charted at number two in Ireland.
The song is a tribute to soul singer Geno Washington, and performed in approximately the style of Geno Washington's Ram Jam Band. Rowland and Archer began working on the song in early 1979, with Rowland writing lyrics to Archer's music.
The song bears resemblance to Zoot Money's Big Roll Band's "One and Only Man" and The Turtles' "Happy Together".
The "Geno! Geno! Geno!" chant at the beginning and end of the song (sampled from crowd noises on Van Morrison's acclaimed 1974 live album It's Too Late To Stop Now, a favourite of Rowland's) is reminiscent of Washington's 1960s performances, whereby the shows' compères would excite the audience before Washington took to the stage. The song's saxophone riff was inspired by Washington's "(I Gotta) Hold on to My Love", the B-side to "Michael (the Lover)".
A platform game (or platformer) is a video game which involves guiding an avatar to jump between suspended platforms, over obstacles, or both to advance the game. These challenges are known as jumping puzzles or freerunning. The player controls the jumps to avoid letting the avatar fall from platforms or miss necessary jumps. The most common unifying element of games of this genre is the jump button. Jumping, in this genre, may include swinging from extendable arms, as in Ristar or Bionic Commando, or bouncing from springboards or trampolines, as in Alpha Waves. These mechanics, even in the context of other genres, are commonly called platforming, a verbification of platform. Games where jumping is automated completely, such as The Legend of Zelda, fall outside of the genre.
Platform games originated in the early 1980s, with 3D successors popularized in the mid-1990s. The term itself describes games where jumping on platforms is an integral part of the gameplay and came into use after the genre had been established, no later than 1983. It is not a pure genre; it is frequently coupled with elements of other genres, such as the shooter elements in Contra, the adventure elements of Flashback, or the role-playing game elements of Castlevania: Symphony of the Night.