Aulus Gellius (ca. 125 AD – after 180 AD), was a Latin author and grammarian, who was probably born and certainly brought up in Rome. He was educated in Athens, after which he returned to Rome, where he held a judicial office. He is famous for his Attic Nights, a commonplace book, or compilation of notes on grammar, philosophy, history, antiquarianism and other subjects, preserving fragments of many authors and works who otherwise might be unknown today.
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The only source for the life of Aulus Gellius are the details recorded in his writings.[1] He was of good family and connections, possibly of African origin,[2] but he was probably born and certainly brought up in Rome. He traveled much, especially in Greece, and resided for a considerable period in Athens.[1] He studied rhetoric under Titus Castricius and Sulpicius Apollinaris; philosophy under Calvisius Taurus and Peregrinus Proteus; and enjoyed also the friendship and instruction of Favorinus, Herodes Atticus, and Fronto.[1]
He returned to Rome, where he held a judicial office.[3] He was appointed by the praetor to act as an umpire in civil causes, and much of the time which he would gladly have devoted to literary pursuits was consequently occupied by judicial duties.[1] The precise date of his birth, as of his death, is unknown; but from the names of his teachers and companions, he must have lived under Hadrian, Antoninus Pius, and Marcus Aurelius.[1]
His only known work, the Attic Nights (Latin: Noctes Atticae), takes its name from having been begun during the long nights of a winter which he spent in Attica.[3] He afterwards continued it in Rome.[3] It is compiled out of an Adversaria, or commonplace book, in which he had jotted down everything of unusual interest that he heard in conversation or read in books, and it comprises notes on grammar, geometry, philosophy, history and many other subjects.[3] One story is the fable of Androcles, which is often included in compilations of Aesop's fables, but was not originally from that source.
The work, deliberately devoid of sequence or arrangement, is divided into twenty books.[3] All these have come down to us except the eighth, of which nothing remains but the index.[3] The Attic Nights are valuable for the insight they afford into the nature of the society and pursuits of those times, and for its many excerpts from works of lost ancient authors.[3]
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...Let's go...
I've been lovin' u for here long knowin' I was never clear
But I have no fear today cause I'm gonna say
What I gotta say, I don't wanna play the role
Bustin' through the door, I'm gonna take ur heart fo' sure, oh
Put ur hands up in the air, it's a stick up
I'm gon take ur heart from here, now let's fix up
Put ur hands in the air, in the air, in the air
I'm gonna play my cards from here
And take this gamble sure
My words are gonna fumble, but this beat is mighty humble
Ain't goin nowhere, sure I'm scared but my life's a dare
And baby u just got so much flare, we'll be the perfect pair
I'm gonna share my mind with u, u've been blinded
My life's been blue, I'm takin u, I'm takin u
Put ur hands up in the air, it's a stick up
I'm gon take ur heart from here, now let's fix up
Put ur hands in the air, in the air, in the air
Put ur hands up in the air, it's a stick up
I'm gon take ur heart from here, now let's fix up
Put ur hands in the air, in the air, in the air
In the air, in the air, in the air
When I first met u, I wanted to wet u
Not a gun but a different content, sexual
U tried to run, I still get u
Steel metal not needed, a whole 'nother meaning
Don't want ur gold, want ur soul
Control ur heartbeatin, cause when I start squeezin that muscle
That's the trigger, than I got u nigga, in ya
Chopper spinners, got ur bodyguards wit cha
Diamond dog tag chain swingin, I had them thangs ringin
This is a robbery, no one's gettin free
Till that man, he comes with me
Put ur hands up in the air, it's a stick up
I'm gon take ur heart from here, now let's fix up