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Geeza | |
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Also known as | The Geeza Rock'n'Roll Show |
Origin | Sydney, New South Wales, Australia |
Genres | Rock |
Years active | 1973 | –1979 , 2010 –present
Labels | Living Sound, Laser, RCA |
Associated acts | Boy Racer, Speed Limit, The Rams, The Terry Halliday Band, The Great Aussie Rock Show, The Valkyries, Little Egypt, The House Rockers, TMC, 2112, Simoriah, Terrani, Swallowing Cars, Hell on High Heels, T-Wrex, Battle Boulevard, Two Bob Watch, Alan McDonald Productions, Louis Pearl and the Chepang Dynasty, Ted Mulry Gang |
Website | www.terryhalliday.com.au/geeza.html |
Members | |
Terry Halliday Chris Stopforth Brooke Webb Tony Meaney Martyn Wright |
|
Past members | |
Gabriel Vendetti Lee Martin Allan Fraiel Tony Cini Steve Gronow Ian Marshall Allan Watts Ian Webb Barrington Davis Dominic Goffredo Scott Cornell John Adams Xerxes Salazar Warwick Hoffman Brad Johns Martin Skipper |
Geeza are an Australian rock band formed in late 1973 in Sydney by Tony Cini, Alan Watts, Gabriel Vendetti, Ian Marshall, Lee Martin, Allan Fraiel and Ian Webb. Early in their career they performed as The Geeza Rock'n'Roll Show. The current lead vocalist and rhythm guitarist, Terry Halliday, has led the band through several incarnations since 1975 with founding members Cini, Watts, Marshall and Webb departing. The remaining four members released Geeza's only album to date, Streetlife, in late 1977. The album spawned a top 100 single, "Run 'n' Hide" on the Australian Kent Music Report Singles Chart. The group disbanded in 1979, before being reformed by Halliday in 2010, as the sole member from their 1970s line-up.
Contents |
Geeza was formed in Sydney's western suburbs in late 1973 by vocalists Tony Cini and Alan Watts, guitarists Gabriel Vendetti and Ian Marshall, bass guitarist Lee Martin (aka Martin Adamson) and drummers Allan Fraiel and Ian Webb.[1] The band performed largely at school dances during their early career and were known for their showmanship. The band's cabaret-style theatrical performances included exploding phone boxes and other extravagant props that were used to win over audiences across Sydney.[2]
In September 1975, the band underwent a significant change of style. Cini, Watts, Marshall and Webb departed the band and Terry Halliday (aka Terry Meaney) joined as the band's new lead vocalist and front man. Halliday altered Geeza's performances and modified the group's name to The Geeza Rock 'n' Roll Show to emphasise their rehearsed and grandiose gigs. The group started playing some songs in drag, which then led to the writing of the track "Dragon Queen" by Adamson, Vendetti, Fraiel and Meaney.[3]
The band went on to perform live on the back of a flatbed truck as it drove around Parramatta in late 1975, in a similar manner to AC/DC who did the same early the next year. Geeza signed with Living Sound Music. The band's first single, "Vambo", was a cover version of The Sensational Alex Harvey Band's 1973 track "Vambo Marble Eye".[2] It was released by Living Sound in April 1976 and they had shortened their name to Geeza.[2]
"Vambo" had garnered enough attention in Geeza to warrant the recording of their first and – as of January 2012 – only studio album, Streetlife. So late in 1976, the group returned to Atlantic Studios to record, which was released in mid-1977.[1] Streetlife spawned two singles, "Run 'n' Hide" and "Song to Warilla", the former of which peaked at number 56 on the Australian Kent Music Report Singles Chart.[4][5] The album was produced by Mario Millo (ex-Sebastian Hardie, Windchase) at.[2] "Run 'n' Hide" was written by Martin and the album was issued by Laser Records.[6][7]
Immediately following the release of Streetlife, bassist and songwriter Martin departed the band and was replaced by Steve Gronow. Geeza then went on to support the Ted Mulry Gang on their three-month national tour to support their LP, Disturbing the Peace, from April to June 1978. Following the tour, Fraiel and Gronow left the band and were replaced by John Adams and Scott Cornell, respectively, from Railroad Gin. Halliday left later that year, to be replaced by Barrington Davis (ex-Powerpact, Kahvas Jute). Early in 1979, Vendetti, Cornell and Adams then left, being replaced by Xerxes Salazar, Dominic Goffredo (who had filled in for Cornell previously) and Warwick Hoffman respectively.
The line-up of Davis, Salazar, Goffredo and Hoffman wrote and recorded 8 new tracks, however these tracks were not released as Geeza broke up soon after recording.[8]
In 2010, former lead vocalist Terry Halliday contacted the other members of Geeza's 1977 lineup (Gabriel Vendetti, Lee Martin and Allan Fraiel) in an attempt to reform the band. However, the other members were unavailable and so gave Halliday permission to reform Geeza with an all new lineup. Halliday then contacted guitarist Brad Johns, bass guitarist Martin Skipper, drummer Tony Meaney and saxophonist Martyn Wright, who all joined the band for a number of performances during 2010.
However, this lineup would not last, as Johns and Skipper departed the band before the end of the year and they were replaced in late 2011 by Chris Stopforth and Brooke Webb, respectively.
Current members
Past members
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[Speaking]
New Juice, the CONGLOMERATE, come on
[Verse 1]
Now sometimes, you got to fight it out
Find something how to write about and white it out
It ain't too many things I ain't seen or done
Cream and guns, I'm feeling like our rap dreams have begun
The scene is upon us, the green is enormous
I'm god's law, you could read me in your tauris
You could call me, when it's a weed shortage
I breez through artists, It's funny and shit, they wanna
Alter a nigga, when my money's legit
I guess they must've thought that I was fucking with Knicks
Shit, they should've caught me when I was bringing bricks in
Right past customs,driving them to chicks in
Now I'm in the big Benz, stacking sick ends
And just wait, loyalties ain't even kicked in
And young jackers get immortalized forever at twenty-one
I used to move more damn weight than anyone
[Chorus]
Give it all you got, no matter what you do
You got to keep it real with yourself
One shot at the top, you never got two
I'll let you know the deal
Give it all you got, no matter what you do
You got to keep it real
It's one shot at the top, you never get two
No time to chill nigga
[Verse 2]
In my crib, use big screens is my rule
Yo boy got more sixteens than high school
More twenty-two's than college, I drop jewels
Fools refuse to use the knowledge
I used to set up whole schools in the projects
When niggas is dead broke, hoes viewed as objects
Opps, I just contradicted myself, who the fuck am I to teach
I'm afflicted myself, at least I'm rich
You gonna get priced out if you try
Two point seven, I'm iced out in july
Sometimes, taking the right rout, you do right
Chuchu breaking the pipe out, my crew high
I send this one out to Chi
Approach CONGLOM wrong, no doubts you die
The second live don't just drop out the sky
I ain't took the game yet, but I'm out to try, nigga
[Chorus]
[Verse 3]
I'm adjacent to myself, with the spirit that I rhyme with
My Movado is broken, my lyrics are timeless
I'm with the great ones, whoever you call great
But niggas always got their hands out like All State
I'm like "Excuse me G, I don't fuckin know ya
I can't do nothing for ya."
I'm not the nigga to depend on
Because before I let you eat, I'm gonna have to put my friends on
I might rush you through the crowd, and write ten songs
Or air it out, I'm just trying to see the endzone
Or you can kind of say, I'm kind of like the goal post
I'm always up-right with it when I hold toast
Mr. Gold Coast, rocking a chain
I'm hot like flame, with no block to claim
Em know me, and Jin knows of me
One in a million like the great ten Moseley
Kan' Know me, Kanye Knows me
Twista know me, It's ya homie
Slum know me, Dilated do
Jurassic 5, since way back in eighty-two
Xzibit know me, Tash, Jeru and Ino
Royce, what up cuz, you need to holla at yo people
To all my underground niggas that I started with
You know the battle cat, I'll show you who the artist is
He grew up claiming BZT
When Rio was gettin bone-taste from Eazy-E
So nigga please, let me be me
Somewhere between fifty and BDP, lies me
I'll leave your vocal cords come in a loose
I am not the one to comfront in the booth
King of freestyle, I've done it as a youth
And I don't know a motherfucker that want it with Juice
[Chorus]
[Juice speaking]
That's real. Yea. Emmaculate on the beat. Whattup nigga
Conglomerate. J U, I haven't even started my rain, I'm