Gaspé may refer to:
Paralanguage is a component of meta-communication that may modify or nuance meaning, or convey emotion, such as prosody, pitch, volume, intonation etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics, and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it differs by language and culture). A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. The film Gumperz made for BBC in 1982, Multiracial Britain: Crosstalk, does a particularly good job of demonstrating cultural differences in paralanguage, and the impact these have on relationships.
Gasp may refer to:
Nox may refer to:
The lux (symbol: lx) is the SI unit of illuminance and luminous emittance, measuring luminous flux per unit area. It is equal to one lumen per square metre. In photometry, this is used as a measure of the intensity, as perceived by the human eye, of light that hits or passes through a surface. It is analogous to the radiometric unit watts per square metre, but with the power at each wavelength weighted according to the luminosity function, a standardized model of human visual brightness perception. In English, "lux" is used in both singular and plural.
Illuminance is a measure of how much luminous flux is spread over a given area. One can think of luminous flux (measured in lumens) as a measure of the total "amount" of visible light present, and the illuminance as a measure of the intensity of illumination on a surface. A given amount of light will illuminate a surface more dimly if it is spread over a larger area, so illuminance (lux) is inversely proportional to area when the luminous flux (lumens) is held constant.
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).