Gaspé may refer to:
Paralanguage is a component of meta-communication that may modify or nuance meaning, or convey emotion, such as prosody, pitch, volume, intonation etc. It is sometimes defined as relating to nonphonemic properties only. Paralanguage may be expressed consciously or unconsciously. The study of paralanguage is known as paralinguistics, and was invented by George L. Trager in the 1950s, while he was working at the Foreign Service Institute of the Department of State. His colleagues at the time included Henry Lee Smith, Charles F. Hockett (working with him on using descriptive linguistics as a model for paralanguage), Edward T. Hall developing proxemics, and Ray Birdwhistell developing kinesics. Trager published his conclusions in 1958, 1960 and 1961. His work has served as a basis for all later research, especially those investigating the relationship between paralanguage and culture (since paralanguage is learned, it differs by language and culture). A good example is the work of John J. Gumperz on language and social identity, which specifically describes paralinguistic differences between participants in intercultural interactions. The film Gumperz made for BBC in 1982, Multiracial Britain: Crosstalk, does a particularly good job of demonstrating cultural differences in paralanguage, and the impact these have on relationships.
Gasp may refer to:
Debris or débris (UK: /ˈdɛbriː/ or /ˈdeɪbriː/; US: /dᵻˈbriː/) is rubble, wreckage, ruins, litter and discarded garbage/refuse/trash, scattered remains of something destroyed, discarded, or as in geology, large rock fragments left by a melting glacier etc. Depending on context, debris can refer to a number of different things. The first apparent use of the French word in English is in a 1701 description of the army of Prince Rupert upon its retreat from a battle with the army of Oliver Cromwell, in England.
In disaster scenarios, Tornado leave behind large pieces of houses and mass destruction overall. This debris also flies around the tornado itself when it's in progress. The tornado's winds capture debris it kicks up in it's wind orbit, and spins it inside it's vortex. The tornado's wind radius is larger than the funnel itself. In fact some studies suggest that in EF-5 tornadoes, the radius of the tornado could be classified as a new EF-6 tornado. Tsunamis and hurricanes also bring large amounts of debris. Such as Hurricane Katrina in 2005 and Hurricane Sandy in 2012. Earthquakes rock cities to rubble debris. Overall natural disasters can be very difficult to recover from. But in the end, we can always pull through what Mother Nature throws at us.
Debris is the debut album by electro-industrial project Ayria. It was released in 2003, along with a deluxe edition featuring a bonus disc and alternate packaging.
Debris is an in-yer-face play by Dennis Kelly. It was first produced at the Latchmere Theatre (now Theatre 503) in London in 2003, before being transferred to Battersea Arts Centre the next year.
A one-act play where a brother and sister try to make sense of their dysfunctional childhood. The pair lie about their past creating new elaborate past stories, the central narrative is of the brother, Michael, who finds a baby who he names Debris trying to keep him a secret and alive from his alcoholic father confiding only in Michelle his sister who is fascinated with their mother's death and gives several contradicting stories of how she died.
In the first scene the brother describes coming home to see his father who has committed suicide by crucifixion. Kelly has said "I was brought up a Catholic, so, like every decent Catholic, as a child I fantasised about being crucified - it must have come from there"
Kelly original had problems getting Debris produced until approaching Theatre 503 "The play had been rejected by pretty much every other theatre around but 503 saw something in the play and decided to abandon common sense and produce it. For me it was one of the most important moments in my life"