Gambler is a musical written by Eric Woolfson. It features several of his most popular songs from his earlier writing with The Alan Parsons Project.
The plot, inspired by Dostoyevsky's novel The Gambler, involves a young man entering the Peking Palace Casino and becoming a serious gambler in order to win the affection of a showgirl there, both of whom are being manipulated by the casino boss.
Gambler the musical had world premier and was created in October 1996 at stadttheater in Monchengladbach, Germany, and it ran October 1996 till June 1998 ; it was staged in 1999 in Seoul, South Korea.
The recording of the German cast was released as a CD in 1997 (with the subtitle "Das Geheimnis Der Karten", lit. "the secret of the cards"). It is currently out of print, but is available as a digital download from Woolfson's official website.
All songs written and composed by Eric Woolfson.
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
"Gambler" is a song by American singer Madonna from the soundtrack album to the 1985 film Vision Quest. The song was written solely by Madonna, while the production was handled by John "Jellybean" Benitez at her request. It was released as the second single from the film's soundtrack album on October 3, 1985, by Geffen Records. "Gambler" was never released in the United States, at the request of Madonna's own Sire Records. The music video of the song is an excerpt from the film.
Musically, "Gambler" is an upbeat synthpop and disco song, featuring instrumentation from drums, electronic handclaps and percussion, which is accompanied by a bass synth and keyboards. The lyrics talk about Madonna asserting her self-independence. Critics gave a mixed review of the song, but it was commercially successful, reaching the top-ten in the charts of Australia, Belgium, Ireland, Italy, Netherlands, Norway and the United Kingdom. Madonna has performed the song only once, on her 1985 The Virgin Tour, which was documented on the live video release Madonna Live: The Virgin Tour.