In dance, the galop, named after the fastest running gait of a horse (see gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast 2/4 time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre, 1840. In Australian bush dance, the dance is often called galopede. An even more lively, faster version of the galop called the can-can developed in Paris around 1830.
The galop was particularly popular as the final dance of the evening. The "Post horn Galop" written by the cornet virtuoso Herman Koenig was first performed in London, 1844; it remains a signal that the dancing at a hunt ball or wedding reception is ended.
This ya thing I wanna say
Wouldn't throw my love away
I'm coming with the tide
So I never gonna ride off on a side
This is my chariot
My lonely days are gone
This is my chariot
I never gonna blow it once again
Or twice, no nice, cause your eyes is my price
I'm coming with the autumn
I'm coming with the autumn wind
I'm coming with the autumn
I'm coming with the autumn wind
Pick down the apple from the tree
It's charity for you and me
The autumn wind blow chilly and cold
And you are the one that I wanna hold
Please take your stand and come with me
Cast your spell and set us free
From ball and chain
And then we know which way to go
I'm coming with the autumn
I'm coming with the autumn wind
I'm coming with the autumn