Gallery (Great White album)

Gallery is a French compilation album released by American hard rock band Great White in 1999.

Track listing

Band members

References

Adit

An adit (from Latin aditus, entrance) is an entrance to an underground mine which is horizontal or nearly horizontal, by which the mine can be entered, drained of water, ventilated, and minerals extracted at the lowest convenient level. Adits are also used to explore for mineral veins.

Construction

Adits are driven into the side of a hill or mountain, and are often used when an ore body is located inside the mountain but above the adjacent valley floor or coastal plain. In cases where the mineral vein outcrops at the surface, the adit may follow the lode or vein until it is worked out, in this case the adit is rarely straight. The use of adits for the extraction of ore is generally called drift mining.

Adits can only be driven into a mine where the local topography permits. There will be no opportunity to drive an adit to a mine situated on a large flat plain, for instance. Also if the ground is weak, the cost of shoring up a long adit may outweigh its possible advantages.

Access and ventilation

491 Gallery

The 491 Gallery was a squatted social centre and multi-disciplinary gallery in Leytonstone, London, England, that operated from 2001 to 2013. Taking its name from its street number, 491 Grove Green Road, the former factory was home to a community-led art organisation and served as an exhibition space for a diverse range of artists of different origins working in varied media. It contained a range of art and music studios, which were used to host workshops, classes and musical rehearsals.

Origin

The building, originally a factory, was later used as a storage space and warehouse for materials being used to construct the A12 that cuts through Leytonstone and the surrounding areas. Unlike the rest of the surrounding buildings, it and the few neighbouring houses were not subject to compulsory purchase orders and demolition for the A12 site. When in late 2000 the building was abandoned, it became occupied by a group of homeless drug users, who remained in it for some six months. Within a month of their vacating the premises, the building was reoccupied by a group of artists, who spent the next several years turning it into a community space. The neighbouring building, formerly houses, was also occupied, and named Vertigo, after the film by Alfred Hitchcock, a famous resident of Leytonstone.

01 Gallery

01 Gallery (or Zero One Gallery) is a contemporary art gallery located in downtown Los Angeles, California, U.S., founded by art dealer and curator John Pochna. The gallery is known for its contributions to the lowbrow art movement, as it frequently exhibits pieces with heavy graffiti and street art influences. In April 2007, Pochna partnered with Brandon Coburn, and Jim Ulrich.

Founded in 1980 and christened Zero Zero by Pochna, the gallery was originally an after hours bar in Melrose. The gallery's current name derives from a conceptual understanding of the creative process. As Kyle Lina explains, "Zero is when there's nothing--one when there's something. The space between the zero and the one is the creative act".

Over time, 01 Gallery developed a long standing relationship with the Los Angeles punk community, as it has debuted bands such as The Screamers. As the gallery's clientele diversified, Pochna's aims for the gallery evolved. Pochna states, "[We're] not a punk rock gallery, not a graffiti art gallery, not a rebel gallery. Not any of those stupid names they used to call us."

291 (art gallery)

291 is the commonly known name for an internationally famous art gallery that was located at 291 Fifth Avenue in New York City from 1905 to 1917. Originally known as the "Little Galleries of the Photo-Secession", the gallery was created and managed by photographer Alfred Stieglitz.

The gallery is famous for two reasons. First, the exhibitions there helped bring art photography to the same stature in America as painting and sculpture. Pioneering artistic photographers such as Stieglitz, Edward Steichen, Alvin Langdon Coburn, Gertrude Kasebier and Clarence H. White all gained critical recognition through exhibitions at 291. Equally important, Stieglitz used this space to introduce to the United States some of the most avant-garde European artists of the time, including Henri Matisse, Auguste Rodin, Henri Rousseau, Paul Cézanne, Pablo Picasso, Constantin Brâncuși, Francis Picabia and Marcel Duchamp.

Background

At the beginning of the 20th century photography's place in the world of fine art was still very indefinite. Although there had been major exhibitions of photography in the Europe and in the U.S., all of them had been judged by painters and sculptors. Photographers were not considered "real" artists, even though many photographers had won awards in international salons. Stieglitz himself had won over 150 awards throughout the world by the end of the 1890s.