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Arthur Webb Mold (27 May 1863 – 29 April 1921) was an English professional cricketer who played first-class cricket for Lancashire as a fast bowler between 1889 and 1901. A Wisden Cricketer of the Year in 1892, he was selected for England in three Test matches in 1893. Mold was one of the most effective bowlers in England during the 1890s but his career was overshadowed by controversy over his bowling action. Although he took 1,673 wickets in first-class matches, many commentators viewed his achievements as tainted.
Mold began his professional cricket career playing for Banbury and Northamptonshire in the mid-1880s, but by 1889 had qualified to play for Lancashire at county level. Immediately successful, he quickly established a good bowling partnership with Johnny Briggs and became one of the leading bowlers in the country. However, he only achieved selection for England in one series in 1893. Many critics thought he threw rather than bowled the ball, and he was among several bowlers at the time about whom there were similar suspicions. Controversy erupted in 1900 when Mold was no-balled for throwing by Jim Phillips, an umpire who had targeted several prominent bowlers with dubious bowling actions. After Mold avoided several games in which Phillips was umpire, the affair came to a head in 1901. On the opening morning of a match, Phillips repeatedly no-balled Mold. Several of Mold's team-mates and most Lancashire supporters continued to believe that Mold bowled legally, but his reputation was ruined and, after three more appearances in 1901, he retired at the end of the season. After his departure from the game, throwing ceased to be a concern in English cricket for 50 years.
Molding or moulding (see spelling differences) is the process of manufacturing by shaping liquid or pliable raw material using a rigid frame called a mold or matrix. This itself may have been made using a pattern or model of the final object.
A mold or mould is a hollowed-out block that is filled with a liquid or pliable material like plastic, glass, metal, or ceramic raw materials. The liquid hardens or sets inside the mold, adopting its shape. A mold is the counterpart to a cast. The very common bi-valve molding process uses two molds, one for each half of the object. Piece-molding uses a number of different molds, each creating a section of a complicated object. This is generally only used for larger and more valuable objects.
The manufacturer who makes the molds is called the moldmaker. A release agent is typically used to make removal of the hardened/set substance from the mold easier. Typical uses for molded plastics include molded furniture, molded household goods, molded cases, and structural materials.
Mold is the fourth studio album made by the supergroup Praxis, released in 1998.
All music composed by Bill Laswell.
Gallery may refer to:
An adit (from Latin aditus, entrance) is an entrance to an underground mine which is horizontal or nearly horizontal, by which the mine can be entered, drained of water, ventilated, and minerals extracted at the lowest convenient level. Adits are also used to explore for mineral veins.
Adits are driven into the side of a hill or mountain, and are often used when an ore body is located inside the mountain but above the adjacent valley floor or coastal plain. In cases where the mineral vein outcrops at the surface, the adit may follow the lode or vein until it is worked out, in this case the adit is rarely straight. The use of adits for the extraction of ore is generally called drift mining.
Adits can only be driven into a mine where the local topography permits. There will be no opportunity to drive an adit to a mine situated on a large flat plain, for instance. Also if the ground is weak, the cost of shoring up a long adit may outweigh its possible advantages.
The 491 Gallery was a squatted social centre and multi-disciplinary gallery in Leytonstone, London, England, that operated from 2001 to 2013. Taking its name from its street number, 491 Grove Green Road, the former factory was home to a community-led art organisation and served as an exhibition space for a diverse range of artists of different origins working in varied media. It contained a range of art and music studios, which were used to host workshops, classes and musical rehearsals.
The building, originally a factory, was later used as a storage space and warehouse for materials being used to construct the A12 that cuts through Leytonstone and the surrounding areas. Unlike the rest of the surrounding buildings, it and the few neighbouring houses were not subject to compulsory purchase orders and demolition for the A12 site. When in late 2000 the building was abandoned, it became occupied by a group of homeless drug users, who remained in it for some six months. Within a month of their vacating the premises, the building was reoccupied by a group of artists, who spent the next several years turning it into a community space. The neighbouring building, formerly houses, was also occupied, and named Vertigo, after the film by Alfred Hitchcock, a famous resident of Leytonstone.
