Glossary of professional wrestling terms

Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.

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    References

  • Beekman, Scott. Ringside: A history of professional wrestling in America (Greenwood, 2006)
  • Foley, Mick (2000). Have a Nice Day: A Tale of Blood and Sweatsocks. HarperCollins. ISBN 0-06-103101-1. 
  • Harley Race, Ricky Steamboat, Les Thatcher (2005). The Professional Wrestlers' Workout & Instructional Guide. Sports Publishing LLC. ISBN 1-58261-947-6. 
  • Bumps race

    A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and "bump" the boat in front without being caught by the boat behind.

    The form is mainly used intramurally at the University of Cambridge, since 1827, and at the University of Oxford since 1815. Bumps racing in fours is also the format of intramural rowing at Eton College and at Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere (see below).

    Racing practice and procedures

    Bumps races are typically raced in a series over several days. The starting order of each day's race is based on the previous day's results; the first day's starting order each year is determined by the results on the last day of the previous year. Each day the boats line up bow-to-stern, usually along the bank of the river, with a set distance between each boat and the next (usually about one and a half boat-lengths of clear water). The starting positions are usually marked by a rope or chain attached to the bank, the other end of which is held by each boat's cox. Boats wait along the bank, and may be poled out just in time for the start, to avoid drifting. At the start signal the cox lets go of the rope and the crew starts to row, attempting to catch and bump the boat in front while simultaneously being chased by the one behind.

    Bump (TV series)

    Bump was a television programme aimed at young children, created by Charles Mills and Terry Brain (also responsible for The Trap Door and Stoppit and Tidyup), produced by Queensgate Productions and originally aired on BBC1. It was a cartoon that featured an elephant named Bump and a bluebird named Birdie. The first series was aired from 14 September to 7 December 1990, and the second from 10 January to 4 April 1994. The two series ran a total of twenty-six episodes, each 5 minutes long. In 1994 there was a Christmas special which was 10 minutes in length. The programme was narrated by Simon Cadell of Hi-de-Hi! fame, who died in 1996. Bump was known to be very clumsy, a trait that was emphasised by a bandage stuck onto his forehead. Birdie would often give Bump advice on how he could become more graceful. Bump and Birdie regularly encountered animals that had a problem (such as Whizzer the mouse, Munch the tortoise, McDuff the dog, Big Bun and Little Bun the rabbits and Batty the bat) and would help them to find a solution. Most of these animals were recurring characters, and all of the characters' Stoppit and Tidyup-esque sounds were made by analog synthesizers.

    Spot

    Spot or SPOT may refer to:

    Places

  • The Spot, New South Wales, a locality in Sydney, Australia
  • People

  • SPOT (producer), the house producer and engineer for the label SST Records
  • Spot (rapper/producer)
  • Jerry Chamberlain (known as "Spot"), the guitarist for the rock group the Swirling Eddies
  • Scott Draves (known as "Spot"), digital artist and VJ
  • Advertising

  • Radio spot, an over-the-air advertisement
  • TV spot, a televised advertisement
  • Underwriting spot, an announcement made on public broadcasting outlets, especially in the United States, in exchange for funding
  • Art, entertainment and media

    Fictional entities

  • Spot (chicken), a character in 101 Dalmatians: The Series
  • Spot (comics), a Spider-Man villain
  • Spot (Star Trek), a pet cat in Star Trek: The Next Generation
  • A pet dog in the Dick and Jane textbook series
  • A character in the cartoon series Hong Kong Phooey
  • A deity in a sketch by Canadian comedy troupe The Kids In The Hall, who is initially assumed to be a harmless mistyping of "dog"
  • A character in the animated series SpongeBob SquarePants
  • Spot (rapper)

    Spot is an American rapper.

    Background

    The eldest son of Jamaican and Guyanese parents, SPOT initially lived in many different parts of the United States. As a child Hargett and his family relocated to Coney Island, a neighborhood in Brooklyn, New York. His childhood was spent between Brooklyn, Harlem, New York and Atlanta, GA. A talented yet troublesome child, Spot traveled the country playing basketball with top AAU clubs during his preteen years. Spot has described growing up in the projects as "vicious."

    Music

    Spot first came into the public view in 2004, when he teamed with Jimmy Henchman and Bryce Wilson to kick start newly formed music company Czar Entertainment. With Czar signing a distribution deal with Sony Music Group, Spot seemed primed to release an album, although he had just began rapping and producing. A fast learner in the studio, Spot began working with major label artist of various genres, including Mario Winans, Miri Bin-Ari, Foxy Brown, Swizz Beatz, Black Rob, El Debarge and even working on a posthumous Notorious B.I.G. album.

    List of individual dogs

    This is a list of famous dogs.

    Actors

    Commercials

  • Axelrod, Basset Hound – appeared in commercials and print ads for Flying "A" Service Station advertisements in the 1960s.
  • Cheeka, a Pug who appeared in the popular "You & I" advertising campaign of Hutch's cellular service in India, along with the child actor Jayaram.
  • Gidget, a female Chihuahua, was featured in a Taco Bell advertising campaign as the "Taco Bell Chihuahua." She also played the role of Bruiser's mother in Legally Blonde 2.
  • Honey Tree Evil Eye, a female Bull Terrier, was known as Spuds MacKenzie in her role as the Budweiser spokes-dog.
  • Banjo, portrayed "Alex", an Irish Setter/Golden Retriever mix and star of Stroh's beer advertising in the 1980s. Also mentioned by Tone Lōc in his runaway hit single Funky Cold Medina.
  • Paddington, a Golden Retriever "professional stand-in, and stunt double" portrays the real Duke Bush (Duffy "Duke" of Castlebury) at promotional events and in commercials for Bush's Best Baked Beans. Duke stars in the commercials, where the dog's owner, Jay Bush (president of the company) pleads for the dog to maintain the secret family recipe. The punchline occurs when the dog states: "Roll that beautiful bean footage."
  • Podcasts:

    PLAYLIST TIME:

    G-Spot

    by: Gerald Levert

    Verse 1
    Well here we are; just me and you
    Just you; just us and the bedroom
    Here’s a robe; take off your clothes, hmmmmmm
    Take my hand the waters running baby in the bubble bath, candles everywhere
    Relax and unwind. I’m a wash your back while you take a sip of this red wine
    Chorus
    Welcome to my lair, lair, lair, lair, this is where we play girl
    It’s on baby, promise you we won’t stop no, no. Till you know your G Spot.
    It aint nothing but love for you baby; My lair, this is where we play baby,
    It’s my playground. We’ll be getting down
    Verse 2
    Rub your shoulders, kiss your neck;
    Roll my tongue down your back
    Pick you up. Oooo you’re all wet. Lay your sexy body on the bed
    Now close your eyes cause this is where our lips collide baby.
    Are you ready yet? Baby can I slip inside?
    Verse 3
    Welcome to my Lair, baby, Oooo, Oooo, Oooo, Oooo, baby, baby, baby
    I aint gonna stop, I aint gonna stop. Oooo can you feel me
    It’s getting hard baby, it’s getting had baby to hold back, to hold back baby
    Oooooooooooooooooo
    Oh baby, oh you feel so good uh, so wet. Ahhh can you feel me?
    You like it like that huh? Ahhh keep it steady baby, rock it steady baby
    Ahhh, ahh, ahh, I won’t stop. I don’t want to stop. Ummmm, oooooooo, ahhhh
    I’m about to go their baby; I’m about to go their baby
    Oooooooooooooooooooooo, oh baby, oh baby, oh baby, oh baby, oooooooo
    Ah, I aint gonna stop it baby; I aint gonna stop baby,
    I aint gonna stop girl till your there
    Till you say G, what’s my name? Tell me what’s my name?
    What’s my name baby?What’s my name girl?
    Won’t stop, won’t stop till you know your G Spot, your G Spot
    Ohhhhhh.
    Verse 4
    Ready to start up again, ahhhh baby you feel it?
    It’s coming back, it’s coming back
    Ha, ha, ha. Ahhh yeah I love it baby, I love it baby uh, ooowe, your still so wet
    How you keep it like that? Uh Ohhhhhhh
    Got me screaming like a little girl




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