The future is the time after the present.
Future or The Future may also refer to:
In finance, a futures contract (more colloquially, futures) is a standardized forward contract which can be easily traded between parties other than the two initial parties to the contract. The parties initially agree to buy and sell an asset for a price agreed upon today (the forward price) with delivery and payment occurring at a future point, the delivery date. Because it is a function of an underlying asset, a futures contract is a derivative product.
Contracts are negotiated at futures exchanges, which act as a marketplace between buyers and sellers. The buyer of a contract is said to be long position holder, and the selling party is said to be short position holder. As both parties risk their counterparty walking away if the price goes against them, the contract may involve both parties lodging a margin of the value of the contract with a mutually trusted third party. For example, in gold futures trading, the margin varies between 2% and 20% depending on the volatility of the spot market.
Future is the third studio album by Los Angeles rock band, the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
The Seeds moved into 1967 as an established band with national hits, including "Pushin' Too Hard", and two albums solidifying their individual sound. With their new manager, Tim Hudoson, and a knack for outlandish live performances, the band's public profile was at an all time high. The band went into recording sessions hoping to capitalize on their past success, and create a more sophisticated sound.
Recording sessions began in Gold Star Studios as early as November 3, 1966, but the majority of studio work was completed in 1967. The first recorded track, "Travel With Your Mind", was the only one complete in 1966, and was a contrast to the future developments. The project was complete on June 6, 1967 with the final track being "March of the Flower Children". The Seeds, mostly under the direction of Sky Saxon utilized orchestrations, and classical instruments in a psychedelic format. Compared to past material, the band established a complexity in their instrumentals as there were more overdubbing involved in the process. Each individual song took an obviously increased amount of takes to find cohesion with the overdubbing. Saxon had embraced the psychedelic scene in the band's own take on the genre, and infused it with their own sound. New instruments more prominent in Future recordings including the piano, trumphet, and percussion.
Season seven of Stargate SG-1, an American-Canadian television series, began airing on June 13, 2003 on Sci Fi. The seventh season concluded after 22 episodes on March 9, 2004 on British Sky One, which overtook the Sci-Fi Channel in mid-season. The series was developed by Brad Wright and Jonathan Glassner. Season seven regular cast members include Richard Dean Anderson, Amanda Tapping, Christopher Judge, Michael Shanks, and Don S. Davis.
With "Fallen", Michael Shanks (Dr. Daniel Jackson) rejoins the cast, and Corin Nemec (Jonas Quinn) gets billed as a "Guest Star" (besides "Fallen"/"Homecoming", he would have his only other guest appearance later in "Fallout"). George Touliatos previously played Pyrus, Shyla's father, in "Need." The scenes with the Goa'uld motherships flying in hyperspace are actually stock footage from the Season 2 episode "The Serpent's Lair." Director Martin Wood has a cameo in "Fallen" as the man in the elevator with Jonas at the beginning of the episode. Peter DeLuise, who directed "Fragile Balance", provided the voice of Loki in the same episode. Christopher Heyerdahl, who played Pallan in "Revisions", would later play the recurring characters of Halling and the Wraith 'Todd' on Stargate Atlantis. Peter LaCroix previously played the Ashrak in "In the Line of Duty".
Fallout was a heavy metal band formed in 1979 based out of Brooklyn, New York, USA. The band contained future Type O Negative members Peter Steele (then billed under his birth name, Peter Ratajczyk) on bass and vocals and Josh Silver on keyboards, as well as John Campos on guitars and Agnostic Front drummer Louie Beateaux (then billed as Lou Beato) on drums. Fallout released only one record before the band's demise in 1982, the "Rock Hard" 7" single, released in 1981 on Silver Records and limited to 500 copies. This record was produced by Richard Termini and William Wittman.
After three years of steady gigging, Fallout broke up. Peter and Louie went on to form Carnivore, and Josh and John formed Original Sin. After the breakup of Original Sin, John Campos went on to form his own production company: Powerhouse Entertainment Group, Inc. John recorded, produced, and wrote songs for many independent and major label artists, such as Bret Reilly, Surfing Moses, Jennifer Marks, Alex Skolnick, the Tito Puente band, Jimmy Delgado, Fat Joe, Mink, and more. He now runs a studio and production company out of Astoria, New York called One Mind Music.
Fallout 4
Hunter, Autumn, and Summer—three of Kristina Snow’s five children—live in different homes, with different guardians and different last names. They share only a predisposition for addiction and a host of troubled feelings toward the mother who barely knows them, a mother who has been riding with the monster, crank, for twenty years. Hunter is nineteen, angry, getting by in college with a job at a radio station, a girlfriend he loves in the only way he knows how, and the occasional party. Autumn doesn’t know about Hunter, Summer, or their two youngest brothers, Donald and David. She lives with her single aunt and alcoholic grandfather. When her aunt gets married, and the only family she’s ever known crumbles, Autumn’s compulsive habits lead her to drink. Summer is the youngest of the three. And to her, family is only abuse at the hands of her father’s girlfriends and a slew of foster parents. As each searches for real love and true family, they find themselves pulled toward the one person who links them together—Kristina, Bree, mother, addict. But it is in each other, and in themselves, that they find the trust, the courage, the hope to break the cycle.