The Funk Model B was a 1930s American two-seat cabin monoplane designed by Howard and Joe Funk. Originally built by the Akron Aircraft Company later renamed Funk Aircraft Company.
The Model B was the first powered aircraft designed by brothers Howard and Joe Funk, whose previous experience was in homebuilt gliders and sailplanes. Fhe Model B was a strut-braced high-wing monoplane with a conventional tail unit and fixed tailwheel landing gear. The design uses mixed construction with fabric-covered wooden wings and a welded steel-tube fuselage. The aircraft was powered by the brothers' own Model E engine developed from a Ford "B" motor-car engine. The prototype first flew in late 1933.
When the test flights proved to be successful the brothers formed the Akron Aircraft Company in 1939 to build the Funk B. After production began, the engine was changed to a 75 hp (56 kW) Lycoming GO-145-C2 horizontally-opposed four-cylinder engine and was re-designated the Model B-75-L.
Funk is a music genre that originated in the mid- to late 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing them from R&B and soul songs, which are built on complex chord progressions. Funk uses the same extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits". Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with heavy emphasis on the first beat of every measure, funky bass lines, drum patterns, and syncopated guitar riffs. Other musical groups, including Sly & the Family Stone and Parliament-Funkadelic, soon began to adopt and develop Brown's innovations. While much of the written history of funk focuses on men, there have been notable funk women, including Chaka Khan, Labelle, Brides of Funkenstein, Klymaxx, Mother's Finest, and Betty Davis.
As If is the sixth studio album by American dance-punk group !!!, released on October 16, 2015 on Warp Records.
Three official singles have been released from As If: "All U Writers", a 5 1/2 minute (5 minutes on the album) long song featuring vocals from Teresa Eggers, released 28 April 2015. "Freedom '15", a groovy leviathan of a disco track, released 30 July 2015, and features vocals from Yolanda Harris Dancy and Taletha Manor. A lyric video for "Freedom '15" was uploaded 20 August 2015. The third single from the album, "Bam City", was released 30 September 2015, with an accompanying music video. "Ooo", a grooving love song, was released with an accompanying music video on November 16, 2015.
One promotional single has been released from the As If: "Sick Ass Moon", an "R&B-tinted house track", released with "Freedom '15" on 30 July 2015.
In a positive review for Exclaim!, Daniel Sylvester called the album "one of the most enjoyable, if schizophrenic, dance albums of the year."
"Funk" is the twenty-first episode of the American television series Glee. The episode was written by series creator Ian Brennan and directed by Elodie Keene. It premiered on the Fox network on June 1, 2010 and was watched by 9 million viewers. In "Funk", New Directions is intimidated by rival glee club Vocal Adrenaline. Jesse St. James (Jonathan Groff) defects back to Vocal Adrenaline, and New Directions explores funk music, knowing it is their rival club's weakness. The episode features cover versions of six songs, all of which were released as singles, available for download, and two of which are included on the soundtrack album Glee: The Music, Volume 3 Showstoppers.
The episode received mixed reviews from critics. Lisa Respers France of CNN and Blair Baldwin of Zap2it both received the episode positively. Todd VanDerWerff of The A.V. Club, Entertainment Weekly's Tim Stack and James Poniewozic of Time highlighted continuity issues with the show, while VanDerWerff and Henrik Batallones of BuddyTV deemed "Funk" a set-up episode for the season finale. Bobby Hankinson of the Houston Chronicle gave a more positive review, but still found "Funk" lacking compared to previous episodes, a sentiment shared by Aly Semigran of MTV.
(Get up, get up, get up, get up, get up)
(Get up, get up, get up, get up, get up)
(Get up, get up, get up, get up, get up)
(Get up, get up, get up, get up, get up)
(Get down)
(Wessyde)
[VERSE 1: Havikk the Rhime Son]
I'm posted up in a Cutlass, hoo-bangin in a bucket
Hennessy got a nigga mind shifted, so fuck it
Told you muthafuckas we was back droppin amity
Riders on deck, Chuck T's my calamity
Servin any niggas tryin to dip on them whips
100 spokes gold thangs so I bangs with the clip
Out of the cut like a [?] I slides like a Klingon
[?] hit the switch and leave that ass froze like freon
It's them mad-ass Cartel gangsters
Throwin bolos so fuck what Bo knows cause I'ma bank ya
Put your ass on some crutches
Stackin ends like the Dutches
Counterreact for the attack like Marcus Allen rushes
It's that Westside rider Rhime Son, like that
In a 'burban still swervin sippin on a cognac
With my tag team, Prode'je, nigga, you couldn't fuck with the realest
We get in that ass like Bruce Willis
Bitch
(Funk you right on up
we gonna funk you right on up)
Westside
(Funk you right on up
we gonna funk you right on up)
Eastside rider
(Get up, get up, get up, get up, get up)
Yeah
(Get up, get up, get up, get up, get up)
Nigga
(Get up, get up, get up, get up, get up)
Peep game
(Get up, get up, get up, get up, get up)
Well, sit your punk-ass down
(..down)
Eastside rider
[VERSE 2: Prode'je]
Predatory like the Terminator, mo' game than Sega
How many muthafuckas wanna step to this omega
Supreme, the .44 cocked for the cream
I fiend for the green so the gee's on the scene
My diamond's in the back but your diamond's in my pocket
I knock your jaws loose flyin things like a rocket
You couldn't stop it cause 6-4's, yeah, we drops it
Comin for your ( ? ) slingin muthafuckin toxic
Niggas never loc unless you worry S.C.
Cause many muthafuckas I can bury O.G.
But when you close your eyes it's the gees comin atcha
Khakis, Chuck T's, Beefy-Tee's, I'ma gatcha
Steady dippin, things whippin, am I crippin
Niggas hate a player so the playa-hatas trippin
When the Rhime Son ridin shotgun niggas see the blues
And we don't give a fuck about yo crews
(Funk you right on up
we gonna funk you right on up)
Eastside rider
(Funk you right on up
we gonna funk you right on up)
Wessyde
(Get up, get up, get up, get up, get up)
Haha
(Get up, get up, get up, get up, get up)
Geah
(Get up, get up, get up, get up, get up)
1996
(Get up, get up, get up, get up, get up)
Sit yo ass down
(...down)
Cartel riders
[VERSE 3: Rhime Son]
I'm dippin back to the hood ragged up too deep
Extended clips, hollow tips, Murder Squad don't sleep
I'm terrorizin a terroist, fuck Hussein and his posse
Expanded flows, hot .44's, khaki saggin, fuck a Nazi
I'm mobbin block to block, chronic got a nigga on twist
I gets deeper than the death, so muthafuck the _Abyss_
It's the S.C. O.G. (Who I be?) H-a-v
96 in your shit, Rhime Son and Prode'je
[Prode'je]
Cause we be swingin 17, makin muthafuckas over
Comin through your hoods like a muthafuckin soldier
Gangsta rap is over, muthafuckas, how you figure?
Cause bein anti-gee is like bein anti-nigga
They try to put to bed but the gee is never sleepin
I'm down with TLC cause the nigga sho' creepin
The chronic flows, as it grows you'se a witness
So sit the fuck down and let the gees handle business
(Funk you right on up
we gonna funk you right on up)
Westside
(Funk you right on up
we gonna funk you right on up)
Eastside rider
(Get up, get up, get up, get up, get up)
Yeah
(Get up, get up, get up, get up, get up)
Nigga
(Get up, get up, get up, get up, get up)
Busters
(Get up, get up, get up, get up, get up)
Sit your punk-ass down
(..down)
Nigga right
Westside and Eastside on a mission, nigga
199-c-c, muthafuckas
South Central Cartel beatin yo ass since '91
And it don't stop
Never that, never that, nigga
199... to infinity