C99 (previously known as C9X) is an informal name for ISO/IEC 9899:1999, a past version of the C programming language standard. It extends the previous version (C90) with new features for the language and the standard library, and helps implementations make better use of available computer hardware, such as the IEEE 754-1985 arithmetic, and compiler technology.
The C11 version of the C programming language standard, published in 2011, replaces C99.
After ANSI produced the official standard for the C programming language in 1989, which became an international standard in 1990, the C language specification remained relatively static for some time, while C++ continued to evolve, largely during its own standardization effort. Normative Amendment 1 created a new standard for C in 1995, but only to correct some details of the 1989 standard and to add more extensive support for international character sets. The standard underwent further revision in the late 1990s, leading to the publication of ISO/IEC 9899:1999 in 1999, which was adopted as an ANSI standard in May 2000. The language defined by that version of the standard is commonly referred to as "C99". The international C standard is maintained by the working group ISO/IEC JTC1/SC22/WG14.
C99 may refer to:
C-99 may refer to:
A funhouse or fun house is an amusement facility found on amusement park and funfair midways in which patrons encounter and actively interact with various devices designed to surprise, challenge, and amuse the visitor. Unlike thrill rides, funhouses are participatory attractions, where visitors enter and move around under their own power. Incorporating aspects of a playful obstacle course, funhouses seek to distort conventional perceptions and startle people with unstable and unpredictable physical circumstances within an atmosphere of wacky whimsicality.
Appearing originally in the early 1900s at Coney Island, the funhouse is so called because in its initial form it was just that: a house or larger building containing a number of amusement devices. At first these were mainly mechanical devices. Some could be described as enlarged, motorized versions of what might be found on a children's playground. The most common were:
Funhouse is the fifth studio album by American singer-songwriter Pink, released by LaFace Records worldwide on October 24, 2008. The album debuted at number two on the Billboard 200 chart, selling 180,000 copies in its first week and reached number one on the charts in seven countries including Australia, New Zealand, Netherlands and the United Kingdom. Funhouse has sold over six million copies worldwide.
Singles from the album include the U.S. number-one single "So What", "Sober", "Please Don't Leave Me", "Funhouse", "I Don't Believe You", and "Glitter in the Air". Funhouse earned Pink three Grammy Award nominations and five MTV Video Music Award nominations. Funhouse was re-released in late 2009 to include a bonus DVD, and was accompanied by the release of Funhouse Tour: Live in Australia, a live album taped during Pink's Australian leg of the Funhouse Tour.
Pink has stated that this album is her most vulnerable to date. Much of the album's subject matter alludes to the fact that Moore had recently separated from her husband, Carey Hart. The first single, "So What", opens with: "I guess I just lost my husband/I don't know where he went". "Please Don't Leave Me" also addresses the split. The artist sums up its theme thus: "Okay, I’m an asshole, but love me anyway." In "Mean", she sings, "It was good in the beginning/but how did we get so mean?" The song that Moore is the most proud of is "Crystal Ball". She said about the track: "I recorded it in one take and we didn’t mix it. It just went straight to master. It was all about a vibe and not about perfection or being polished. I just love that song and I loved recording it." She wrote the song with Billy Mann, who also aided her with the songs "Stupid Girls", "Dear Mr. President" and "I'm Not Dead" (all 2006), among others.
"Funhouse" is the twenty-sixth episode of the HBO television series The Sopranos. It is the thirteenth and final episode of the show's second season. It was co-written by series creator/executive producer David Chase and co-producer Todd A. Kessler, and was directed by frequent The Sopranos director John Patterson. It originally aired in the United States on April 9, 2000, attracting about 9 million viewers.
It was nominated for an Emmy Award in the category of Outstanding Writing for a Drama Series.