Emphasis or emphatic may refer to:

See also [link]


https://wn.com/Emphasis

Emphasis! (On Parenthesis)

Emphasis! (On Parenthesis) is an album by the Stanton Moore Trio, released on April 22, 2008. Organist Robert Walter and guitarist Will Bernard, both of whom played with Moore on his previous solo album, III, are featured on the album.

Notably, each track on the album features a title containing a parenthetical statement, as does the title of the album. This is Moore's response to the gentle ribbing of his Galactic bandmates that he includes brackets in almost every song he writes.

Personnel

  • Stanton Moore: drums
  • Robert Walter: Hammond B3 organ, piano, toy piano, clavinet
  • Will Bernard: guitar
  • Track listing

  • "(Late Night at the) Maple Leaf" - 6:27
  • "(Proper) Gender" - 2:56
  • "Wissions (of Vu)" - 3:22
  • "(Sifting Through the) African Diaspora" - 5:10
  • "Over (Compensatin')" - 4:37
  • "(Smell My) Special Ingredients" - 5:39
  • "(I Have) Super Strength" - 3:48
  • "(Who Ate the) Layer Cake?" - 4:28
  • "Thanks! (Again)" - 2:57
  • "(Put On Your) Big People Shoes" - 4:08
  • "(Here Come the) Brown Police" - 3:20
  • Emphasis (telecommunications)

    In telecommunications emphasis is the intentional alteration of the amplitude-vs.-frequency characteristics of the signal to reduce adverse effects of noise in a communication system.

    The whole system of pre-emphasis and de-emphasis is called emphasis.

    The high-frequency signal components are emphasized to produce a more equal modulation index for the transmitted frequency spectrum, and therefore a better signal-to-noise ratio for the entire frequency range.

    Emphasis is commonly used in LP records and FM broadcasting.

    Pre-emphasis

    In processing electronic audio signals, pre-emphasis refers to a system process designed to increase (within a frequency band) the magnitude of some (usually higher) frequencies with respect to the magnitude of other (usually lower) frequencies in order to improve the overall signal-to-noise ratio by minimizing the adverse effects of such phenomena as attenuation distortion or saturation of recording media in subsequent parts of the system. The mirror operation is called de-emphasis, and the system as a whole is called emphasis.

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