Fugazi (album)
Fugazi is the second studio album by the British neo-progressive rock band Marillion, released in 1984. Produced by Nick Tauber, it was recorded between November 1983 and February 1984 at various studios and was the first to feature current drummer Ian Mosley, following the dismissal of the band's original drummer Mick Pointer. Built upon the success of its predecessor, the album hit the UK Top 5 and went Gold. According to AllMusic, the album "streamlined the intricacies of the group's prog rock leanings in favor of a more straight-ahead hard rock identity".
Release
Critical reception
As Marillion used ten different studios to record the album and the line-up had undergone a change, Fugazi proved to be a slightly incoherent follow-up to Script for a Jester's Tear, which was noticed in the retrospective review by John Franck of AllMusic. Nevertheless, he awarded the album a 4-star rating, singling out such songs as "Assassing", "Incubus", and "Fugazi".
Writing for Ultimate Classic Rock, Eduardo Rivadavia claimed Fugazi "proved just as diverse, ambitious, even preposterous (in the best possible prog-rock sense) as ‘Script.’ They matched epic, complex musicianship with oblique wordplay to perfection on the likes of ‘Assassing,’ ‘Jigsaw,’ ’Incubus,’ and the title track – all of which would become perennial concert favorites for years to come. If anything, the new album was, at once, more polished (in terms of both production standards and song arrangements) and a tad less consistent than its predecessor, unquestionably falling short of heightened expectations on the somewhat less-than-stellar ‘Emerald Lies’ and certainly the subpar ‘She Chameleon.’"
! (album)
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
Track listing
Personnel
The following people were involved in the making of !:
References
"@" (album)
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Reception
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
Track listing
All compositions by John Zorn and Thurston Moore
Album
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Podcasts:
