Fuel

A fuel is any material that can be made to react so that it releases chemical or nuclear energy as heat or to be used for work. The concept was originally applied solely to those materials capable of releasing chemical energy but has since also been applied to other sources of heat energy such as nuclear energy (via nuclear fission or nuclear fusion).

The heat energy released by reactions of fuels is converted into mechanical energy via a heat engine. Other times the heat itself is valued for warmth, cooking, or industrial processes, as well as the illumination that comes with combustion. Fuels are also used in the cells of organisms in a process known as cellular respiration, where organic molecules are oxidized to release usable energy. Hydrocarbons and related oxygen-containing molecules are by far the most common source of fuel used by humans, but other substances, including radioactive metals, are also utilized.

Fuels are contrasted with other substances or devices storing potential energy, such as those that directly release electrical energy (such as batteries and capacitors) or mechanical energy (such as flywheels, springs, compressed air, or water in a reservoir).

Fuel (band)

Fuel is an American post-grunge band formed by guitarist/songwriter Carl Bell and bassist Jeff Abercrombie. Originally known as Small the Joy, they changed the group's name to Fuel sometime in 1994. Jeff, Jody, and Jimmy all grew up around the same small towns playing music together. They are well known for their hit songs "Shimmer" from Sunburn, "Hemorrhage (In My Hands)" and "Bad Day" from Something Like Human, and "Falls on Me" from Natural Selection. The band has sold nearly four million records worldwide.

Their newest album Puppet Strings was released March 4, 2014. No original members of the band remain, except for vocalist Brett Scallions, who at one time left the band himself (2006).

History

Early years (1985–1997)

Carl Bell and Jody Abbott were in a college campus band, Wanted (along with Robert Wagner and Mark Crawford) in Henderson, Tennessee. The band Wanted transitioned into Phoenix, which was a touring band for the college primarily used to recruit prospective students. After college, the band carried on as, Real to Reel, playing local clubs in Tennessee. Lead vocalist/guitarist Brett Scallions joined the group after Bell and bassist Jeff Abercrombie saw him in a bar in Jackson, Tennessee in 1993. That same year, keyboardist/vocalist Erik Avakian joined the lineup and the band moved to Harrisburg, Pennsylvania in 1994 where they played at local Pennsylvania bars and nightclub as Small the Joy. Changing the band name to 'Fuel', the band released their first EP Porcelain in 1996 and sold well locally, spawning a small radio hit with "Shimmer". The popularity of the EP brought them to the attention of Sony's 550 imprint, which released their second EP Hazleton the following year.

Fuel (hardcore band)

Fuel was a short-lived Bay Area post-hardcore musical act that created both personal and political songs, something that was unique during the "first wave" of emo in the 1990s. Fuel had a sound akin to early-Hot Water Music and especially Fugazi with twin guitars and dueling rough post-hardcore vocals. In fact, it is noted that Fuel was often jokingly referred to as "Fuelgazi." Fuel's style has been compared to the D.C. sound of many Dischord bands.

Fuel featured Mike Kirsch (of early Pinhead Gunpowder and a number of other notable punk rock bands) on guitar/vocals, Jim Allison on guitar/vocals, Aaron Arroyo on bass, and Jeff Stofan (also of Monsula and the White Trash Debutantes at one time) on drums.

In 2008, Alternative Press named Fuel as a group of significant interest in its profile of "23 Bands who Shaped Punk." Jason Black of Hot Water Music and The Draft contributed a testimony for the article citing musical influence.

Discography

Fuel released one LP “Monuments to Excess” in 1990, first on Cargo Records then repressed by Ebullition Records. Monuments to Excess was produced by Kevin Army. Army audio engineered the albums of many influential punk bands, including Operation Ivy, Green Day, The Mr. T Experience, etc. In addition, Fuel put out an EP "Take Effect" on Lookout Records, also in 1990.

Analog

Analog or analogue may refer to:

In arts and entertainment

Magazines

In music

Other uses in arts and entertainment

In science and technology

In chemistry

Analogue (All I Want)

"Analogue (All I Want)" is a song by the Norwegian band A-ha. It is the title track of their eighth studio album, which was released in 2005. The song itself was released as a single (30 December 2005 in Germany, 23 January 2006 in the UK, and 30 January 2006 in Norway).

Track listing

UK CD1:

UK CD2:

GERMAN CD:

FRENCH SINGLE CD 2 SONGS:

The song was re-written and re-recorded after it was first recorded. The original version of the song was titled "Minor Key Sonata (Analogue)", and (like the rest of the Analogue album) was produced by Martin Terefe and mixed by Flood. Max Martin was then brought in to turn "Minor Key Sonata (Analogue)" into a more radio-friendly song, with a less surreal lyric and catchier chorus. The song was then retitled "Analogue (All I Want)" and is the only track on the album not produced by Terefe. Upon its release as a single, it became the band's first Top 10 hit in the UK since 1988.

Analogue (theatre company)

Analogue is a British multi-disciplinary performance company based in the South-East of England. The company consists of Artistic Directors Liam Jarvis and Hannah Barker, and Producer Ric Watts. The work of the company is led by the directors and created collectively with Associate Artists who are invited to collaborate on new projects. Described as "...visionary" and "...a young company certain to make its mark on British theatre", Analogue are an Associate company at Farnham Maltings.

Mission

According to Analogue's website, the company which formed in 2005 "produces explosive theatre and visual performance, touring the UK and Internationally. Our award winning work is cinematic in scope, and as a generation in tune with the language of recorded media we explore what the conventions of film can offer the experience of raw, visceral live performance. We bring collaborators together, combining computer games designers with devisers, puppeteers with playwrights, sharing their expertise to create a fusion of disciplines. The artists that make up the company have worked and trained with the likes of Theatre-Rites, The Young Vic, Sony, Suspect Culture, Gecko, Punchdrunk and Told by an Idiot".