Fuck
Fuck is an obscene English language word, which refers to the act of sexual intercourse and is also commonly used as an intensifier or to denote disdain. Its origin is obscure but is usually considered to be first attested to around 1475, although it may be considerably older. In modern usage, the term fuck and its derivatives (such as fucker and fucking) can be used as a noun, a verb, an adjective, an interjection, or an adverb. There are many common phrases that employ the word, as well as compounds that incorporate it, such as motherfucker and fuckwit.
Offensiveness
Fuck (film)
Fuck is a 2005 American documentary film by director Steve Anderson about the word "fuck". The film argues that the word is an integral part of societal discussions about freedom of speech and censorship. It looks at the term from perspectives which include art, linguistics, society and comedy, and begins with a segment from the 1965 propaganda film Perversion for Profit. Scholars and celebrities analyze perceptions of the word from differing perspectives. Journalist Sam Donaldson talks about the versatility of the word, and comedian Billy Connolly states it can be understood despite one's language or location. Musician Alanis Morissette comments that the word contains power because of its taboo nature. The film features the last recorded interview of author Hunter S. Thompson before his suicide. Scholars, including linguist Reinhold Aman, journalism analyst David Shaw and Oxford English Dictionary editor Jesse Sheidlower, explain the history and evolution of the word. Language professor Geoffrey Nunberg observes that the word's treatment by society reflects changes in our culture during the 20th century.
There Is a Hell...
There Is a Hell, Believe Me I've Seen It. There Is a Heaven, Let's Keep It a Secret. (abbreviated to There Is a Hell...) is the third studio album by British rock band Bring Me the Horizon. It was released on 4 October 2010 by Visible Noise. The album was produced by Fredrik Nordstrom and Henrick Udd at IF Studios in Gothenburg, Sweden, with additional work at Sunset Lodge Studios in Los Angeles, California. It features guest vocals from Canadian recording artist Lights, Josh Franceschi from British rock band You Me at Six, and Josh Scogin from American mathcore band The Chariot.
The album was recorded between March and June 2010. It expands on the band's previous material, drawing from the metalcore genre and incorporating a wide variety of experimentation, symphonic, and electronic influences, clean vocals, and choral vocal samples. The band described Oliver Sykes' lyric writing as "personal" and "darker and moodier than music on the previous albums". The title is taken from the opening track, which is repeated multiple times throughout the song.
Podcasts:
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by Fat Joe
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by Gorilla Zoe
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by Quincy Punx
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by Lily Allen
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by CRIME MOB
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by Revenge
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by Skinnyman
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by Sarcophagus
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by Makou
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by Career Soldiers
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by Rittz
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by Fes Taylor
Fuck 50
by: Fat Joe(Shots being fired)
Yeah, that'll do it
Yeah, I love hip hop
I love this muthafuckin hip hop game
This nigga here is a little nigga man
Stay in your motherfucking lane nigga
You fucking with the Don nigga
Folow me
[Chorus]
Fifty me, Fifty, he's the fakest that you've ever seen
Curtis, Curtis Jackson, how come you can never been seen
Once I got you, I'm gonna get give you
My, My, fo fo fo fo
My, My, fo fo fo fo
My, My, fo fo fo fo
I'm going to give it to you baby, nice and slow
Fifty you goin to end up dead when you fuckin with crack
Talk about your girl pop off, where the fuck you be at
I see MJ in the hood more than Curtis
Matter of fact, this beef shit is making niggaz nervous
It's gonna be families grieving every sunday service
End up with your head popped off thanks to Curtis
But he dont care, he's still locked up in his house and shit
Steroid up and he wont come about that bitch
Is it me or does candy shop sound like magic stick?
In the video, this nigga fifty bout to strip
Shaking his ass, what the fuck is wrong with this nigga
Fifty don't make me
Oh yeah, you got sixty-five niggaz on your team
And they're not from Southside Jamaica, Queens
They're the boys in blue, and I'm just speaking the truth
Yeah we all see the bitch in you
Follow me
[Chorus]
Fifty me, Fifty, he's the fakest that you've ever seen
Curtis, Curtis Jackson, how come you can never been seen
Once I got you, I'm gonna get give you
My, My, fo fo fo fo
My, My, fo fo fo fo
My, My, fo fo fo fo
I'm going to give it to you baby, nice and slow
Now let's take it back to Vibe awards
Where that nigga disrespect and then snuffed your balls
A minute ago, all I heard was G-G-G-G-Unit
Fifty niggaz ran and they didn't even do shit
That's a shame, I was sitting right in the front
Waiting for you niggaz to dunk
Where are all your guns and them teflon vests?
We them terror squad boys
You should know not to test us
Hate it or love it, The Game's on top
Now you jealous of him, when your shit going to stop?
You've seen me before
Yous a bitch nigga straight out of low cash
And they don't believe him, this nigga is so ass
You dissed lean back, said my shit was a dud
Now tell me, have you ever seen 'em up in the club?
No, no, no shawty
That's right, you see them more than you rappin
Now Fifty that ain't right
[Chorus]
Fifty me, Fifty, he's the fakest that you've ever seen
Curtis, Curtis Jackson, how come you can never been seen
Once I got you, I'm gonna get give you
My, My, fo fo fo fo
My, My, fo fo fo fo
My, My, fo fo fo fo
I'm going to give it to you baby, nice and slow
I know what y'all thinkin man
Y'all thinkin JD gonna slam lyrically
This nigga be crazy for dissin' Fat Joe man
He really crazy tho
This nigga be walkin around with twenty cops talking shit on records
And never be comin out of his house
Feel like he can't get touched man
I'm gonna respond one time, one time only
It ain't gonna be more songs for me man
This is for all the mutha fuckers who die crack
Trust me, make a response ten thousand times
I ain't talkin back to that nigga
One thing I will promise you
That's it man
This is crack bitch
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