Frozen

Frozen may refer to:

Film

Theatre

Television

Music

Frozen (House)

"Frozen" is the eleventh episode of the fourth season of House and the eighty-first episode overall. It aired on February 3, 2008, following Super Bowl XLII; it attracted slightly more than 29 million viewers, making it the highest rated House episode of the entire series. It was ranked third for the week, tied with that week's episode of American Idol (also on Fox) and outranked only by the Super Bowl game and the Super Bowl post-game show.

House became the first dramatic TV series to be the lead-out program of a Fox-aired Super Bowl since The X-Files following Super Bowl XXXI. This is the second episode of the show to have an Academy Award winner as a guest star – Mira Sorvino (the first one was Informed Consent with Joel Grey).

Plot

Psychiatrist Cate Milton (Mira Sorvino), collapses and vomits in the middle of Antarctica. House is asked to examine her through a webcam. Possible causes are struvite kidney stone and urinary tract infection, caused by frequent sexual intercourse. Foreman suspects cancer after her right lung nearly collapses.

Frozen (Madonna song)

"Frozen" is a song by American singer Madonna from her seventh studio album Ray of Light (1998). It was released as the lead single from the album on February 23, 1998, by Maverick Records. The song was also included on the compilation albums GHV2 (2001) and Celebration (2009). "Frozen" was written by Madonna and Patrick Leonard, and it was produced in collaboration with William Orbit. Musically constructed as a mid-tempo electronic ballad, "Frozen" talks about a cold and emotionless human being. In 2005, a judge in Belgium ruled that "Frozen" was plagiarized from a song by Salvatore Acquaviva, and was ultimately banned from the region. However, this ruling was overturned in 2014, lifting the Belgium ban on the song.

"Frozen" received acclaim from music critics, some of whom deemed it an album standout. It was described as being a masterpiece, and its melodic beat and sound were defined as "cinematic". The song was a worldwide chart success, peaking at number two on the US Billboard Hot 100, becoming Madonna's sixth number-two single and the artist with most number-two hits in the history of that chart, while it reached number one on the Hot Dance Club Play chart. It ultimately peaked at number one in the United Kingdom, Italy, Spain and Finland, and also within the top-five in other countries, such as Australia, Italy, Sweden and Switzerland.

Eldritch (video game)

Eldritch is a 2013 first person shooter video game developed by David Pittman and published by Minor Key Games. It was inspired by the writings of H. P. Lovecraft and gameplay elements of roguelike games. The expansion Eldritch: Mountains of Madness was released in December 2013. The game's source code was released in 2014, though the content itself remains proprietary.Metacritic rated the game 77/100, and GameRankings rated it 75.27%.

Gameplay

Players take the role of a 1920s-era investigator in a Cthulhu Mythos-inspired storyline. Players can wield both pistols and spells. The world is procedurally generated, which means that it is different every time the game is played. The game features a form of permanent death in which all items are lost upon death. Money that has been stored in the bank is retained. After the player wins the game, a new difficulty mode is unlocked, "New Game Plus". Enemies become stronger, helpful items become rarer, and gameplay shifts to a more stealth game-inspired mechanic.

Eldritch (band)

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Eldritch is a progressive/power metal band formed in 1991 in Italy. Their history began when Eugene Simone, Adriano Dal Canto, and Terence Holler formed a band with the intent of putting out some demos. Right after the lineup was complete and the demos started to spread over the scene, the interest towards the band began to grow until Limp Schoor, in 1993 accepted to be their manager.

In 1995 the band put out the debut album Seeds of Rage for Inside Out Music label. The album had good success, winning an award as Album of the Month on the German magazine Heavy, oder was!?. Two years later, in 1997, the band proceeded to follow the same flow in terms of musical ideals, to the point where they published Headquake, having success again, and at the time the Organization of the Gods of Metal Festival was convinced to include them in the bill.

1998 was the year of a change in style. With the publishing of El Nino the band followed influences such as Metallica, Coroner, and Annihilator. The crowd and the media appreciated very much their change as their albums selling grew and a successful tour with Threshold and Pain Of Salvation came. 1998 is even the year of a lineup change.