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"Frozen" is the eleventh episode of the fourth season of House and the eighty-first episode overall. It aired on February 3, 2008, following Super Bowl XLII; it attracted slightly more than 29 million viewers, making it the highest rated House episode of the entire series. It was ranked third for the week, tied with that week's episode of American Idol (also on Fox) and outranked only by the Super Bowl game and the Super Bowl post-game show.
House became the first dramatic TV series to be the lead-out program of a Fox-aired Super Bowl since The X-Files following Super Bowl XXXI. This is the second episode of the show to have an Academy Award winner as a guest star – Mira Sorvino (the first one was Informed Consent with Joel Grey).
Psychiatrist Cate Milton (Mira Sorvino), collapses and vomits in the middle of Antarctica. House is asked to examine her through a webcam. Possible causes are struvite kidney stone and urinary tract infection, caused by frequent sexual intercourse. Foreman suspects cancer after her right lung nearly collapses.
"Frozen" is a song by American singer Madonna from her seventh studio album Ray of Light (1998). It was released as the lead single from the album on February 23, 1998, by Maverick Records. The song was also included on the compilation albums GHV2 (2001) and Celebration (2009). "Frozen" was written by Madonna and Patrick Leonard, and it was produced in collaboration with William Orbit. Musically constructed as a mid-tempo electronic ballad, "Frozen" talks about a cold and emotionless human being. In 2005, a judge in Belgium ruled that "Frozen" was plagiarized from a song by Salvatore Acquaviva, and was ultimately banned from the region. However, this ruling was overturned in 2014, lifting the Belgium ban on the song.
"Frozen" received acclaim from music critics, some of whom deemed it an album standout. It was described as being a masterpiece, and its melodic beat and sound were defined as "cinematic". The song was a worldwide chart success, peaking at number two on the US Billboard Hot 100, becoming Madonna's sixth number-two single and the artist with most number-two hits in the history of that chart, while it reached number one on the Hot Dance Club Play chart. It ultimately peaked at number one in the United Kingdom, Italy, Spain and Finland, and also within the top-five in other countries, such as Australia, Italy, Sweden and Switzerland.
Delusion is a 1991 American film noir directed by Carl Colpaert.
An embezzler driving through the Nevada desert picks up a Las Vegas showgirl and her psychotic boyfriend after their vehicle crashes. The psycho boyfriend, a not-very-bright hitman, has no intention of letting him get away with the stolen cash. Peculiar desert characters, burnt steaks, boobs, and Nietzsche ensue.
Blændværk is a 1955 Danish crime film drama directed by Johan Jacobsen. The film stars Mimi Heinrich.
Børge Rasmussen is in love with Elvie Hansen. During a visit at doctor Kermer's, Børge steals a small fortune in cash. Together with Elvie, he runs off to Copenhagen. On their way there, Elvie breaks up. In Copenhagen, the saboteur Verner seeks out Børge, convincing him to go to Canada, bringing a briefcase for a friend of Verner's. Børges friend, Marinus, finds out that there is a bomb in the briefcase, but on his way to warn Børge, Marinus is murdered. Before dying, though, he manages to tell doctor Kermer about the bomb. Together with Elvie, Kermer now leaves for Copenhagen to save Børge.
Delusion (Also known as The House Where Death Lives) is a 1980 American mystery/thriller directed by Alan Beattie, and starring Patricia Pearcy, Joseph Cotten, David Hayward, and John Dukakis.
A nurse (Patricia Pearcy) moves into a mansion to care for an elderly invalid Ivar Langrock (Joseph Cotten). Not long after, Langrock's grandson Gabriel (John Dukakis) comes to stay after the accidental death of his parents. Soon, an unseen killer begins to murder the mansions' staff with a table leg.
Delusion has received mixed reviews, with Rotten Tomatoes giving it a rating of 2.8/5.0.
Retro Slashers.net reviewer Thomas Ellsion gave the film a positive review, stating that "Delusion is a subdued slasher that relies more on the skills of a veteran cast, a deliberate pace, and a twist ending" and it is "worth seeking out for fans of slashers with a heavy dose of whodunit mystery."