Frou Frou or Frou-Frou may refer to:
Frou Frou /ˈfruːfruː/ was a British electronic duo composed of Imogen Heap and Guy Sigsworth. They released their only album, Details, in 2002. Both of them wrote, produced and played instruments on the tracks, while Heap also provided vocals. Frou Frou amicably disbanded in 2003 to go their separate ways musically, but have more recently stated the possibility of new Frou Frou collaborations.
Heap and Sigsworth met in the mid-1990s on the London music scene, Sigsworth coming to the attention of Heap and her record label due to his writing/production/keyboard-playing work with Seal and Björk. Their first work together consisted of Heap providing extra vocals for Sigsworth's band Acacia. She subsequently contributed to the live Acacia lineup at several concerts, became a significant "floating member" of the band (although never a full member) and sang on all but one track on Acacia's ill-fated debut album Cradle.
Sigsworth subsequently contributed to Heap's debut album, i Megaphone, which was released on the now defunct Almo Sounds in 1998. Together they wrote the first single to be taken from i Megaphone, the angst-ridden "Getting Scared," which Sigsworth also produced, and the B-side to the album's second single, "Shine," entitled "Airplane."
Frou-Frou, is a French comedy film from 1955, directed by Augusto Genina, written by A. E. Carr, starring Dany Robin and Louis de Funès. The film is also known as "A Girl from Paris".
Frou-Frou is a 16-year-old peddler. She comes to the attention of four gentlemen who agree on helping her to improve her situation. They teach her to behave like a lady and introduce her to the upper class. But she falls in love with an unsuccessful artist who commits suicide after he has befathered her with a daughter...
Drink up baby down
Are you in or are you out?
Leave your things behind
'Cause it's all going off without you
Excuse me too busy you're writing a tragedy
These mess-ups
You bubble-wrap
When you've no idea what you're like
So, let go
Jump in
Oh well, what you waiting for?
It's all right
'Cause there's beauty in the breakdown
So, let go
Just get in
Oh, it's so amazing here
It's all right
'Cause there's beauty in the breakdown
It gains the more it gives
And then advances with the form
So, honey, back for more
Can't you see that all the stuff's essential?
Such boundless pleasure
We've no time for later
Now you can wait
You roll your eyes
We've twenty seconds to comply
So, let go
Jump in
Oh well, what you waiting for?
It's al right
'Cause there's beauty in the breakdown
So, let go
Just get in
Oh, it's so amazing here
It's all right
'Cause there's beauty in the breakdown