From the Cradle is the twelfth studio album by Eric Clapton. It is a blues cover album. Released on 13 September 1994 (see 1994 in music) by Warner Bros. Records, the album was Clapton's long-awaited follow-up to his massively successful 1992 live album, Unplugged. Per the liner notes, "This is a live recording with no overdubs or edits except for dobro overdub on 'How Long Blues' and drum overdub on 'Motherless Child'."
Although he had long been associated with the blues, From the Cradle was Clapton's first attempt at an all-blues album. He would subsequently record Riding with the King with B. B. King; a tribute to Robert Johnson, Me and Mr. Johnson; and a collaboration with J.J. Cale, The Road to Escondido.
From the Cradle has prompted a wide range of critical response. Many questioned the title itself as Clapton learned the blues formula from records later in life and certainly was not exposed to Black culture "from the cradle", although the title likely refers to the saying "from the cradle to the grave". Stephen Thomas Erlewine of Allmusic feels that the album is almost perfect and that the only thing bad about the album is Clapton's singing, which merely imitates the original recordings and sometimes can't pull it off. Tom Sinclair of Entertainment Weekly felt that the recordings were "flawless" but were rather boring, especially when compared to the excitement of Cream's live version of "Spoonful".The Music Box's John Metzger felt that Clapton's appearance on Saturday Night Live to promote the album was more powerful than From the Cradle and that the album had nothing that hadn't been done before on it.Robert Christgau compared Eric Clapton's work on the album to Son Seals and Otis Rush, saying that Clapton played better than the former, but sang worse than the latter and felt that "Motherless Child" and "Blues Before Sunrise" were stand-out tracks on the album.
Butthole Surfers is an American rock band formed by Gibby Haynes and Paul Leary in San Antonio, Texas in 1981. The band has had numerous personnel changes, but its core lineup of Haynes, Leary, and drummer King Coffey has been consistent since 1983. Teresa Nervosa served as second drummer from 1983 to 1985, 1986 to 1989, and 2009. The band has also employed a variety of bass players, most notably Jeff Pinkus.
Rooted in the 1980s hardcore punk scene, Butthole Surfers quickly became known for their chaotic and disturbing live shows, black comedy, and a sound that incorporated elements of psychedelia, noise, punk rock and, later, electronica, as well as their use of sound manipulation and tape editing. Butthole Surfers have a well-reported appetite for recreational drugs, an evident influence on their sound.
Although they were respected by their peers and attracted a devoted fanbase, Butthole Surfers had little commercial success until 1996's Electriclarryland. The album contained the hit single "Pepper" which climbed to number one on Billboard's Modern Rock Tracks chart that year.
Butthole Surfers is the debut studio EP by American punk band Butthole Surfers, released in July 1983. It is also known as Brown Reason to Live and Pee Pee the Sailor (see "Title controversy"). All songs were written and produced by Butthole Surfers.
The album was originally released on Alternative Tentacles. Butthole Surfers and 1984's Live PCPPEP were reissued as Butthole Surfers/Live PCPPEP CD on Latino Buggerveil in 2003. The 12-inch vinyl version is still available from Alternative Tentacles, and is listed as Brown Reason to Live.
The center label on Butthole Surfers' vinyl printings invites listeners to erroneously play the record at "69 RPM," a joke referencing the famous sex position. The album's back cover features a mildly distorted image of famed Mexican luchador Santo. Kurt Cobain listed the EP in his top fifty albums of all time.
Butthole Surfers introduced themselves to the world with seven songs full of throbbing bass, crashing drums, and heavily distorted guitar topped off with largely nonsensical, barely intelligible lyrics, alternately sung by lead vocalist Gibby Haynes and guitarist Paul Leary. Haynes also plays saxophone and drums on some tracks. Unlike later Butthole Surfers albums, no electronic instrumentation is present.
Take me
Mexican Caravan
South of
South of the Rio Grande
Take me to that amigo town
Where I can score some of that heroin brown
Take me
Mexican Caravan
South of
South of anywhere you can
Push me in through the garbage can
Teach this white boy to be Mexican
Take me
Mexican Caravan
Let's score some of that heroin
You know the way to make the white boy say
Make me Mexican
Take me
Mexican Caravan
Push me into the Rio Grande
You know the way to make the white boy say
Make me Mexican
Take me
Take me
Take me