Bread, Love and Jealousy

Bread, Love and Jealousy (Italian: Pane, amore e gelosia), known as Frisky in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. It is the second part of the Italian trilogy, preceded by Bread, Love and Dreams and followed by Scandal in Sorrento.

Plot

Antonio (V De Sica) was in love with the midwife Annarella (Marisa) knowing that she has a kid son. Both of them were in love to each other, at the time the father of the kid who also serves in military will appear and with the help of the priest Dom Emidio (Virgilio) will take both of them with him.

Because of posting for 20 months out side Pietro (Roberto) will go out of the village and will ask the marshal to take care of Maria (Gina). Though she was not happy with captain, but because of poverty and collecting of the dowry, she will go to serve the marshal’s house as his med Caramella (Tina Pica) was not well.

The villagers will start spreading non sense about the marshal and Maria, which will reach to Pietro too. One day in a get together to the cousin’s house of Maria, marshal will dance with her, and getting pampered by out sliders both Pietro and Annarella will go there. By seeing them dancing intimately both of them break the relationship with each other. As the relationship gets broken, Maria will leave the house and will join to a dancing group. Her mother will shot help to the marshal saying that she is under aged girl. When the marshal will go for an enquiry the owner of the dance party will manage the mother of Maria with money, while marshal will come to know that she is not under age. Maria will try to seduce the marshal, but will not be success.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Frisky

Frisky may refer to:

See also