Sabzi (Persian: سبزی, lliterally "greenness; greens") may refer to:
Alexei Saba Mohajerjasbi, stage name Sabzi, is a Seattle-based producer and DJ. His genre is listed as alternative hip hop, due to its association with hip hop through the use of rap lyrics. He has collaborated three times to form different bands:
He has also guest produced for Das Racist.
Sabzi's first act, Blue Scholars, was formed with George Quibuyen (A.K.A. MC Geologic), whom he met at the University of Washington where they were students. They both belonged to the student group S.H.O.W. (the Student HipHop Organization of Washington). Blue Scholars soon become a Seattle Underground staple, and declared itself a group dedicated to forward thinking and youth empowerment.
In 2004, Sabzi began working with solo artist RA Scion on his album Live and Learn. By October 2005, the two had released a self-titled album as the duo Common Market. The group found success, as Scion contributed questions about religion, politics and the state of mainstream hip-hop to Sabzi's beats. While there are overt similarities between Blue Scholars and Common Market, the two groups have distinct differences, and "their styles seem to be diverging more".
Mahmood Sabzi, professionally known as Sabzi, is an Iranian artist known for his abstract impressionist paintings.
Sabzi was born in Ahvaz, Iran. He began painting when he was twelve years old, but eventually earned a bachelor's degree in agricultural engineering at the University of Jundi Shapur.
Initially, Sabzi made realistic paintings inspired by his country's history and culture. He went to exile during the regime of Ruhollah Khomeini, settling in Germany and the United States. During this period, he experimented with figurative and abstract styles. He eventually settled in southern California. Each of his moves was reflected in changes in his style to reflect changes in his environment.
According to Sabzi, he draws inspiration from the Persian rugs created by his mother.
Sabzi's painting style is influenced by the Modernist works of Paul Cézanne and Henri Matisse, as well as by the poet Rumi. Majority of his works feature women in various moods and poses, implying internal conflict.
Fried may refer to:
Fried is a British sitcom that airs on BBC Three. The show stars Katy Wix, Mandeep Dhillon, Matthew Cottle, William Melling, Imran Yusuf and Lorna Gayle. It began airing on 25 August 2015 and the first series ran for six episodes. A show pilot was aired on BBC iPlayer in 2014.
Fried is focused on staff who work at a chicken shop in Croydon, Seriously Fried Chicken. Mary Fawn (Katy Wix) is the manager much to the annoyance of her co-worker Derek Wom (Matthew Cottle). Other cast members include Amara (Mandeep Dhillon) who is only working there to earn money for her father, Joe (William Melling), who desperately wants the love of Amara, Ed (Imran Yusuf) and Shontal (Lorna Gayle).
Fried is the second solo album by Julian Cope.
Fried was released on 9 November 1984, just six months after Cope's debut solo album World Shut Your Mouth. Cope retained guitarist Steve Lovell (and guest oboe player Kate St. John) from the previous album, but added his Drayton Bassett musical foil Donald Ross Skinner on rhythm and slide guitars, former Waterboys drummer Chris Whitten and (on one track) former Mighty Wah! guitarist Steve "Brother Johnno" Johnson.
The album was much more raw in approach than its predecessor World Shut Your Mouth: in many respects it prefigured the looser and more mystical style which Cope would follow and be praised for in the next decade. Notoriously, the sleeve featured a naked Cope crouched on top of the Alvecote Mound slag heap clad only in a large turtle shell. Song topics and approaches included early examples of Cope's subsequent tendency to mythologise his own life and connect it to legend and ritual ("Reynard the Fox" combined English folktales with reference to Cope's notorious onstage stomach-slashing incident of the previous year; while "Bill Drummond Said" was an oblique fable about Cope's former manager and future KLF mainstay) and his developing interest in paganism ("O King of Chaos", which Cope later revealed was an invocation to Odin). Several songs featured little or no backing, with Cope accompanying himself.