In audio and music, frequency modulation synthesis (or FM synthesis) is a form of audio synthesis where the timbre of a simple waveform (such as a square, triangle, or sawtooth) is changed by modulating its frequency with a modulator frequency that is also in the audio range, resulting in a more complex waveform and a different-sounding tone that can also be described as "gritty" if it is a thick and dark timbre. The frequency of an oscillator is altered or distorted, "in accordance with the amplitude of a modulating signal." (Dodge & Jerse 1997, p.115)
FM synthesis can create both harmonic and inharmonic sounds. For synthesizing harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively more complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. non harmonic), atonal and tonal bell-like and percussive sounds can easily be created.
In analog frequency modulation, such as FM radio broadcasting of an audio signal representing voice or music, the instantaneous frequency deviation, the difference between the frequency of the carrier and its center frequency, is proportional to the modulating signal.
Digital data can be encoded and transmitted via FM by shifting the carrier's frequency among a predefined set of frequencies representing digits - for example one frequency can represent a binary 1 and a second can represent binary 0. This modulation technique is known as frequency-shift keying (FSK). FSK is widely used in modems and fax modems, and can also be used to send Morse code.Radioteletype also uses FSK.
... in 1967, of digital frequency modulation – a new technology that completely upended the way synthesisers were made ... Chowning had discovered digital frequency modulation, later called FM synthesis.
’66 and undergraduate David Poole the world’s first online computer composition and synthesis system. Together, they discovered frequency modulation (FM) with a synthesis technique, and licensed the technique to Yamaha in 1974...Camille Noufi Ph.D ... ’19 ... .
"Compared to the traditional FMCW signal generation method, the proposed method does not need the frequency synthesis and phased-array antenna modules, which can effectively reduce the cost and complexity," the scientists say.