Free Me
Free Me may refer to:
Free Me (Debbie Gibson song)
"Free Me" (Atlantic Japan / Warner-Pioneer AMDY-5109) is a song by Debbie Gibson, released as a single in 1993, from her album Body, Mind, Soul. It was released as a 12" single for promotion only in the U.S. and U.K. and as a commercial CD-single in Japan.
Track listing (Atlantic DMD 2001)
"PROMOTIONAL COPY NOT FOR SALE"
"Free Me"
(Deborah Gibson/Carl Sturken/Evan Rogers) Music Sales Corp., ASCAP/Bayjun Beat Music/Warner-Tamerlane Pub. Corp./Could Be Music, ASCAP
External links
Free Me (Emma Bunton song)
"Free Me" is the first single from Emma Bunton's second studio album, Free Me (2003). Written by Hélène Muddiman. Released in the spring of 2003—almost ten months before the release of the Free Me album—the song immediately picked up airplay. It debuted and peaked at number five on the UK Singles Chart, her fourth UK top five single. It sold 65,563 copies, becoming the one hundred thirty-fourth best-selling single of 2003. The single also peaked at number four on the US Hot Dance Club Play. The song's music video, directed by Tim Royes, was shot in and around Grumari Beach, the Copacabana and the Arpoador neighbourhoods in Rio de Janeiro, Rio de Janeiro, Brazil.
Track listings and formats
These are the formats and track listings of major single releases of "Free Me".
Cốm
Cốm, or green rice, is a dish in Vietnamese cuisine. It is not dyed green, as can be done with pandan, but is immature rice kernels roasted over very low heat then pounded in a mortar and pestle until flattened. Cốm is seasonal dish associated with autumn. It can be eaten plain or with coconut. The taste is slightly sweet with a nutty flavor.
A traditional pastry, bánh cốm (green rice cake) is made using cốm with mung bean filling. Cốm is often offered to worship the ancestors in the Mid Autumn Festival. The green rice can also be used in sweet soup, chè cốm. Cốm is similar to flat green rice of the Khmer people.
References
CM
CM or its variants may refer to:
Computing
Entertainment
Guqin
The guqin (simplified/traditional: 古琴; pinyin: gǔqín; Wade–Giles ku-ch'in; pronounced [kùtɕʰǐn]; literally "ancient stringed instrument") is a plucked seven-string Chinese musical instrument of the zither family. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long zither also without frets, but with moveable bridges under each string.
Traditionally, the instrument was simply referred to as qin (Wade–Giles ch'in) but by the twentieth century the term had come to be applied to many other musical instruments as well: the yangqin hammered dulcimer, the huqin family of bowed string instruments, and the Western piano are examples of this usage. The prefix "gu-" (meaning "ancient") was later added for clarification. Thus, the instrument is called "guqin" today. It can also be called qixianqin (lit. "seven-stringed instrument"). Because Robert Hans van Gulik's famous book about the qin is called The Lore of the Chinese Lute, the guqin is sometimes inaccurately called a lute. Other incorrect classifications, mainly from music compact discs, include "harp" or "table-harp".
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