Free-For-All is the second solo release from American guitarist Ted Nugent and his first album to go platinum.
As the recording of Free-For-All commenced, rhythm guitarist and lead vocalist Derek St. Holmes left the band, citing growing personal and creative conflicts with Nugent. Two solid years of living together on the road had taken its toll on the relationship. Additionally, St. Holmes was unhappy with Tom Werman's production, saying that the producer was watering down the band's sound.
A full year before Bat Out of Hell brought him international success, vocalist Meat Loaf was brought in by producer Werman to sing on the album. The vocalist was paid the sum of $1000 for his contributions to the album, which included crafting all of the vocal arrangements and two days of recording sessions. He says that after he agreed to do the album he was sent a lyric sheet containing just the words with no arrangements. Having no idea what the songs were going to sound like, he nonetheless created the vocal arrangements for every song.
Free for All may refer to:
Free-for-All was singer-songwriter Michael Penn's second full-length record, released in 1992 on RCA. There were no big hit singles of the strength of his only top 40 hit, 1989's "No Myth", but the album did feature two songs that reached the Top 20 on the Modern Rock Charts: "Long Way Down (Look What the Cat Drug In)" peaked at number 14, while the second single, "Seen the Doctor", reached nine spots higher, for a number 5 placing. The album led to a bitter battle between Penn and his record company, leading him to forgo releasing a follow-up until 1997.
In his review for allmusic, reviewer Stewart Mason gave the recording 4 and a half stars (out of a possible five). He said that it was the record which proved to critics that Penn was no one-hit wonder, calling "Long Way Down" a "dark and pained opening to an album that was hardly pop-star material."
All tracks composed by Michael Penn.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it would be released the following year. It was originally titled "Free Fall".
The Allmusic review by Al Campbell awards the album 4 stars and states " This edition of the Jazz Messengers had been together since 1961 with a lineup that would be hard to beat: Freddie Hubbard on trumpet (his last session with the Messengers), Wayne Shorter on tenor sax, Curtis Fuller on trombone, Cedar Walton on piano, and Reggie Workman on bass. Shorter's title track is one of the finest moments in the Jazz Messengers' history."
Freddie Hubbard's composition "The Core" is dedicated to the CORE (Congress of Racial Equality) and expresses "Hubbard's admiration of that organization persistence and resourcefulness in its work for total, meaningful equality." "They're getting", he explains, "at the core, at the center of the kinds of change that have to take place before this society is really open to everyone. And more than any other group, CORE is getting to youth, and that's where the center of change is." The piece was called that way also because Hubbard thought that the musicians "got at some of the core of jazz - the basic feelings and rhythms that are at the foundation of music."